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James Gunn Is Already Writing His Next DC Movie — It Might Be ‘Superman 3’

The man doesn't stop. James Gunn has confirmed he's already hard at work writing his next film, even as ‘Man of Tomorrow’ makes its way toward theaters next summer.

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Michael Mann’s ‘Miami Vice' Director's Final Cut Divides Fest Audiences With Polarizing New Ending

Mann brought his new "Director's Final Cut" to Beyond Fest in L.A. last night. Mann stayed for a Q&A afterward. Suffice it to say, the cut certainly has people talking, and mostly not in a good way.

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‘Digger' Bombs With $8M; Misunderstood or Insufferable? Post Your Review!

Welcome to the “Digger” megathread, where you can post your review of the movie in the comments below. I’ll try to keep this post up over the weekend as our readers catch up with Iñárritu’s $180M oddity.

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Stephen Colbert's ‘Lord of the Rings' Movie Paused by David Ellison After Paramount–Warner Bros. Merger

Bad news, Stephen. Your archnemesis has struck again. Ellison has hit pause on Colbert's LOTR movie. The film was originally rumored to begin shooting shortly after ‘The Hunt for Gollum.’

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‘A Statement’ First Reviews: Tom McCarthy’s Return After ‘Stillwater’ Gets a Mixed Reception

“A Statement” stars Paul Rudd, Paul Giamatti, Amy Ryan, John Turturro, Jason Clarke, Dylan Baker, and Tatiana Maslany. The film marks the return of Tom McCarthy, a filmmaker we haven’t heard from in a while.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Emancipation’ Producer Says the Film “Didn’t Get A Fair Shake”

August 31, 2023 Jordan Ruimy

Last year, “Emancipation” drowned with critics and barely registered with audiences. It finished with a 53 on Metacritic and 46% on Rotten Tomatoes. DOA.

Those who did love the film, and there aren’t many, theorized that the film’s negative reception was due, in no small part, to Will Smith starring in it — this was Smith’s first film back after his Oscar slap on Chris Rock.

In an interview with Above The Line’s Jeff Sneider, “Emancipation” producer Todd Black claims that his slavery epic deserved Oscar recognition:

Can I comment on that? We 100 percent didn’t get a fair shake. I get the Will Smith of it all and I get the Academy feeling that way, I totally understand, but I don’t get [snubbing] our director, who put his entire life into it. I don’t get all the department heads and their teams, I don’t get Ben Foster not getting acknowledged — I mean he was so good, and all the other actors. I don’t get the producers not getting acknowledged. I thought it was a beautiful film. I thought the story was so well told by our writer, I thought Antoine hit it out of the park, and to not get any acknowledgment because of what Will did as an actor? Not right, not fair. That’s my opinion.

“Emancipation” director Antoine Fuqua agrees, saying “Correct. 100 percent right. 100 percent”.

One of the film’s most fervent supporters was Paul Schrader who showered the drama with lots of praise. He went on social media to rave about the film and Fuqua’s direction:

“I'm not a Civil War film buff but it is hard to imagine a battle sequence like the union attack toward the end being more meticulous and brutally realistic. Any competitors? […] Extremely well-made. Monochromatic in theme and look, and relentlessly brutal. An impressive achievement.”

Judging by the title, you’d think this film was about Will Smith’s marriage, but, no, “Emancipation” was set in 1863, and Smith played an iconic real-life slave named Peter from a Louisiana plantation.

Apple wanted to crash the Oscar race with this one. They released “Emancipation” in early December to qualify for awards contention. Oscar voters, and critics, didn’t want to touch this $120 million movie with a ten foot pole.

I though “Emancipation” wasn’t very good, but one does wonder if it would have been better received had it not had any of the Will Smith baggage on its shoulders.

← Venice: ‘Ferrari’ Reviews Are Mixed-to-Positive [Updated]Venice: Pablo Larraín’s ‘El Conde’ Dividing Some Critics, 70 on Metacritic →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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