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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Warner Bros Has Decided to Press Screen ‘Barbie’ on the Same Date/Time as ‘Oppenheimer’

July 9, 2023 Jordan Ruimy

Warner Bros must find it so amusing that they scheduled “Barbie” press screenings on the same date and time as “Oppenheimer.” That’s what they’re doing in most big cities across North America, the lone exception being New York City.

This rivalry, of these two polar opposite films, dates back to when Christopher Nolan, who was with Warner Bros for two decades, left the studio in response to their dump of theatrical releases, including “Tenet,” on HBO Max during the pandemic.

If Warners truly wanted Nolan to come back, which their top bosses have stated is a priority, then why are they releasing “Barbie” on the same day as “Oppenheimer”? To make matters worse, the press screenings for both films are also on the same day, and a lot pissed off critics are going on social media to show their frustration.

I’ve so far seen critics from Boston, San Francisco, Washington, Chicago, and more, venting about the scheduling conflict. Nolan/Universal had sent over a save the date email weeks before the “Barbie” team. So, this means Warner knew that there was a scheduling conflict, but still went ahead with the plan to have “Barbie” collide with “Oppenheimer.”

Tonight, Warner Bros is allowing the social media embargo for “Barbie” to lift, but its only really been seen, so far, by easy-to-please influencers, Twitter fools and a Gerwig stans. The reactions will be over the top, and that’s what Warner wants.

I couldn’t care less about the box office matchup between these two; it doesn’t make any sense to even compare the monetary prospects of an R-rated non-IP vs a PG-13 mass-marketed product. What matters are the reviews: which film will get the better ones?

The fact that Warner Bros has tied the hands of critics who now have to choose between “Barbie” and “Oppenheimer” is a rather odd development. Why even do that? What’s the motive? Are you trying to get less reviews before opening night?

← Eli Roth’s ‘Borderlands’ is Currently in Post-Production HellDenis Villeneuve to Shoot HBO Mini-Series ‘The Son’ This Fall, Jake Gyllenhaal Cast as Lead →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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