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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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Confirmed: ‘Digger’ Runtime is Actually 2 Hours 8 Minutes

Iñárritu is certainly one to indulge. His last film, “Bardo,” ran 159 minutes, while “The Revenant” was 156 minutes, “Biutiful” 148 minutes, “Babel” 143 minutes, and “Amores Perros” 154 minutes.

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Olivia Wilde Calls Netflix’s $20M ‘The Invite’ Offer a “Bribe” to Skip Theaters

Back in January, at the Sundance Film Festival, a bidding war emerged over Olivia Wilde’s “The Invite.” A24, Netflix, Searchlight, Focus Features, and NEON among the studios in the mix.

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‘American Psycho’ Reboot May Lose Luca Guadagnino as Casting and Rewrites Drag On

If Guadagnino’s vision ultimately doesn’t come together, and time surely is running out, Lionsgate might move on from the filmmaker they have already identified possible replacements.

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‘X-Men’ Reboot Rumors Heat Up With Christopher Abbott, Jon Hamm and .. Adam Driver?

With Jake Schreier directing, Samara Weaving locked, and Sadie Sink introduced as Jean Grey, the reboot is starting to come together. Maybe Marvel finally makes some of it official at D23 next week.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Alex Proyas Calls Mainstream “Conspiracy” to Tarnish ‘Sound of Freedom’

July 26, 2023 Jordan Ruimy

You can have quips about who the artists are behind box-office hit “Sound of Freedom”, and they might have said some dubious things during its outrageously entertaining marketing campaign, but its success hints at a bigger, more powerful, future for indie films.

I also won’t take the bait in going along with the mainstream tarnishing of this film, which has been associated with everything from the QAnon movement, Trump, and Nazis, because, quite frankly, there’s a much bigger picture here.

Here’s Alex Proyas, director of “Dark City,” “The Crow” and “I, Robot” trying to make sense of the “Sound of Freedom” box-office success, via his Patreon:

SOUND OF FREEDOM is a fascinating phenomenon at the US box office. I’ve heard so many mainstream media reviews refer to it as a “faith-based” movie - I’ve not yet seen it, and who knows when it’ll be released in Australia — but from all I know it seems there is little religiosity in this other than the man the story is based on is Christian and so are Jim Caveziel (who stars) and Mel Gibson (who helped produce I believe). Seems like the mainstream uses “faith-based” as a way to make “sensible” people stay away. Other than this is a story about good people doing good things, I'm puzzled to know why anyone would think this might be a reason to not see a film. 

The “conspiracy” angle the mainstream are trying to pin on this seems like so much nonsense however true to life — or not — this is. I mean have these reviewers ever seen a biopic? An absolutely 100% TRUE one? It is a dramatic medium after all, not a documentary. I think the only “conspiracy” here might be that the mainstream are annoyed this movie is doing so well, while bigger budget franchises are failing - the mainstream seem to be looking for ways to play down its success.

What also fascinates me is how this movie was made. Angel Studios are paving the way with the power of crowd investing — a New Model for changing times perhaps? And not too different to the model I'm currently building and will tell you more about on Patreon. It's good to see filmmakers succeed with something so similar - gives me hope. That, and the legacy-media struggling to keep up. Ha!

So, he’s basically implying, hell, convinced, that the hate this film has been getting from the “mainstream” is pure, unadultered jealousy that a conservative-based independent movie is doing so well at the box-office. Fair enough.

What I’m most fascinated by, when it comes to “Sound of Freedom,” is not its qualities as a film — it’s fine, minor, watchable — but rather by its success as a $15 million independent production. It’s already made $125 million domestically. I get it, I get it, some of those receipts come from the “Pay it Forward” program, but the movie, undeniably, is still a major success.

Proyas hasn’t been successful in greenlighting a film since his 2016 panned “Gods of Egypt.” What the success of “Sound of Freedom” means to him is a potential opportunity to make more movies. I am certain many other indie filmmakers are curiously watching this phenomenon as well.

This isn’t just good news for “faith-based” movies, it’s good news for any indie filmmaker looking for his or her movie to branch out. What Angel Studios is doing might the pave the way for the future of a struggling industry. Crowd investing!

Check your politics at the door and look at the bigger picture here. It’s become the most successful indie movie of the decade, nearly doubling the totals of EEAAO.

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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