• Critics Polls
  • Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_9568.jpeg
‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

Read more →
IMG_9564.webp
Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

Read more →
IMG_9563.jpeg
‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

Read more →
IMG_9562.jpeg
Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

Read more →
IMG_9553.jpeg
Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Critics Polls
  • Yearly Top Tens
  • Interviews

‘Joy Ride’ Bombs, and For Good Reason — It’s Not Funny [Review]

July 10, 2023 Jordan Ruimy

Ever since “Joy Ride” had its world premiere at SXSW in March, it’s had the kind of buzz that one should always be wary of.

Why’s that? Because whatever gets raved at SXSW shouldn’t be trusted. That’s my rule. The fine folks over at the Austin-based fest have had a tendency to proclaim many overpraised films as “the next big thing.”

Well, the raunchy “Joy Ride” sadly belongs in that group of films. It comes to us from “Crazy Rich Asians” writer Adele Lim, in her feature directorial debut. It purports itself to be a crowd-pleasing comedy, but fails to bank on that promise.

Don’t tell that to film critics. A 75 on Metacritic and 96% on Rotten Tomatoes means they also took the bait

“Joy Ride,” a by-the-books girls trip flick, made a paltry $5.9 million at the box-office this weekend, playing on 2800 screens — pundits projected $9-$10 million. The budget for this film is said to be around $32 million. Add it all up and it might lose a lot of money.

What happened? Maybe it’s the dull trailer released earlier in the year, the lack of A-list stars in its roster or maybe, most realistically, the tepid audience word of mouth — its CinemaScore is a terrible B-.

“Joy Ride” follows a pack of friends who embark on a trip to China. It was marketed as “unapologetically explicit,” but there’s nothing explicit about the safe theatrics in display here.

The film, more than anything, is about identity, centering on our four friends’ Chinese adventure. Audrey (Ashley Park) is going there on business, she asks bestie Lolo (Stephanie Hsu) to join, an irreverent, childhood best friend who also happens to be a hot mess; she ensuingly asks her weirdo cousin, Deadeye (Sabrina Wu) to hop along for the ride (think Hangover’s Zack Galafanakis). Oh, and they’re all set up to meet Kat, Audrey’s college friend who happens to be a big deal Chinese soap star in the homeland.

Park’s Audrey is a lawyer, a child of adoptive white parents who lives in White Hills, Washington. The fact that this town name is fictional tells you how flat and unimaginative the jokes are in this movie. I maybe chuckled once the entire 96 minutes.

Speaking of the “The Hangover,” Lin basically rips off that movie’s blueprint. The attempt here is for a no-holds-barred experience with four unlikely characters — friendship, belonging, and wild debauchery ensue. The gags are unspeakably terrible, the dialogue is awful, and some of the plot devices concocted here turn out to be fall completely flat.

At least there’s an oral sex scene with two guys cartoonishly eating out Ashley Park’s character at the same time — over the top slurping and moaning can be heard. It’s the most ridiculous scene, in a film filled with them.

← SAG to Strike on Wednesday; Film Industry Shutting DownNEON Acquires Michael Mann’s ‘Ferrari’ →

FOLLOW US!

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_9412.jpeg
Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

Read more →
IMG_9228.jpeg
Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

Read more →
IMG_9202.jpeg
Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

Read more →
IMG_9001.jpeg
Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026