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Zack Snyder Says He Still Hasn't Seen James Gunn's ‘Superman' — Months After Calling It “Amazing”

Earlier this year, Zack Snyder mentioned having seen James Gunn’s “Superman.” Heaping praise on it. Now he’s saying he actually hasn’t caught up with it yet?

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May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

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Cory Finley's 'Reasonable People,' Starring Paul Rudd and Sam Rockwell, Shoots This Fall

Cory Finley, a talented filmmaker, has directed three films so far: "Thoroughbreds" (2017), "Bad Education” (2020), and "Landscape with Invisible Hand.”

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Bassam Tariq Says Making ‘Blade' at Marvel Was ‘“a Different Thing”: “Somebody Else Is Running This”

Bassim Tariq was the first one in the chair. The "Mogul Mowgli" director spent two years building out the Mahershala Ali vehicle before exiting in 2022, and he's now letting the air out on this one.

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‘The Family Stone’ Sequel Greenlit at Searchlight, Fall Shoot, Reunites the Entire Cast — Except Diane Keaton

Claire Danes, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider, and Brian White will all be back.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

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‘Indy 5’ Set for Weak $55-60 Million Opening

July 1, 2023 Jordan Ruimy

Deadline’s Anthony D’Alessandro has a very interesting piece up on ‘Dial of Destiny,’ which he’s saying will underperform this weekend with a cumulative intake of $55-60 million in its first three days of release.

Disney/Lucasfilm’s “Indiana Jones and the Dial of Destiny” is still bound to open at the bottom of end of tracking’s projection of $60M as this morning. I saw an estimate in “The Flash” vicinity of $55M last night and took an Alka Seltzer out of shock.

D’Alessandro goes on to say that if it weren’t for this being a $300 million budgeted movie, and the Indiana Jones finale, then these numbers would be passable for any other movie. But they’re clearly not in this instance. This is a catastrophe for Disney, LucasFilm and Kathleen Kennedy.

The film premiered to mediocre reviews at Cannes, and thus started the weak tracking numbers. Its “loud” marketing, which went global, has not helped its numbers. The Cannes reception toxified the film’s reputation and it hasn’t been able to recover since then.

It’s baffling how a storied franchise can end on a downer note at the box office in its finale. I found the movie out of Cannes to be too plug-and-play, laden in tropes of the franchise from the kid sidekick to videogame-like action. It completely lacked the breath and nuance that Steven Spielberg provided in action scenes of the older films. And I’m a James Mangold fan!

So what the hell went wrong? I believe a slew of reasons contributed to this weekend’s lacklustre opening. Firstly, in the social media age, reviews matter now more that ever and they just weren’t good enough for ‘Indy 5’ to become a winner.

Then there’s the stink that ‘Kingdom of Crystal Skull’ left, a bitter taste in the mouth of fans, many of whom jumped off board the sinking ship and never came back.

There’s also Harrison Ford, who is 81 and not the big box-office draw he once was. His fanbase doesn’t go to the movies anymore, a demographic that has quickly hibernated to just streaming stuff at home.

Now, it’s your turn. You’ve possibly gone out to see ‘Dial of Destiny’ this weekend, or ended up skipping it, what did you think?

Here’s what I wrote about it last week ..

“‘Indy 5’ uses most of the common Indy tropes for this sequel, it doesn’t reinvent the wheel whatsoever — just a decent to good-old yarn. It’s a back-to-the-basics adventure. Which is what Disney probably thought we needed after the last film. Mangold pays homage to B-movies from the 40s and 50s and wants to mix the old-school with modern-day sensibilities. The result is a mixed bag.”

← Tarantino’s ‘The Movie Critic’ Starts Shooting in Late September‘Barbie’ Embargo Lifts July 13th [Updated] →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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