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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Another Bad Michael Mann Movie?

June 25, 2023 Jordan Ruimy

Has Michael Mann lost his cinematic mojo?

Many, including myself, thought 2015’s “Blackhat,” the last movie he released, was a one-off, but, based on a recent test screening of his upcoming “Ferrari,” maybe it wasn’t.

Last week, there was an L.A. test screening for “Ferrari”, and the few reactions that I gathered haven’t been good. Here’s one of them:

For a subject with a wide range of compelling stories, this was the longest two-hour film I've seen in a while that had virtually nothing to say. The script is sloppy and focuses more on the love triangle between Enzo, his mistress (Shailene Woodley) and his wife Laura (Penelope Cruz) than the race they’re trying to win to prevent Ferrari from going under. Adam Driver's performance is very similar to that in Gucci- stoic and very little depth to the character, though the same can be said for everyone else, who has nothing to work with. It needs something to give it more energy and make the audience care, and there is a race sequence in the third act that tries to do that, but overall it is very hollow and easily forgettable.

Whether it’s good or bad, it wont matter much to Venice who have supposedly invited Mann’s movie for competition. The DP of “Ferrari” is also none other than David Fincher regular Erik Messerschmidt.

The film is being shopped around as we speak, it still has no US distribution, and a few images were released in February, no doubt to build up some buzz on this film. It cost around $90 million to produce. It’s a risk-taking endeavour.

“Ferrari” is said to be epic in scope, recounting a single year (1957) in the life of Enzo Ferrari (Adam Driver) and his wife Laura (Penelope Cruz). Mann’s film comes with very high expectations, not to mention it’s been a passion project percolating for a few decades now.

Mann, who is 80, will probably shoot a sequel to his 1995 classic “Heat” next year. He’s a world class filmmaker with such classics as, the aforementioned, “Heat,” “Collateral,” “The Insider” and “Thief.”

← Jon Hamm Read the Script for Coppola’s ‘Megalopolis’: “I Don’t Know How He’s Going to Make This Movie”Good Question, Mr. Schrader →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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