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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Book of Clarence' Pushed to 2024 Release Date

June 21, 2023 Jordan Ruimy

There were some out there clinging to the belief that Jeymes Samuel’s “The Book of Clarence” would be an Oscar contender. It might still go to TIFF, not sure about Venice or Telluride. But today’s news isn’t reassuring.

Sony has bumped the film’s release date from September 22nd, 2023 to January 12th, 2024. Unless the studio is actually giving this film a late limited December release, then its Oscar chances are basically toast.

Samuel’s film is about a man named Clarence living in 29 A.D. Jerusalem who looks to capitalize on the rise of Jesus Christ. It sounds intriguing enough. The setting is, at the very least, intriguing.

Production on the film began last November and wrapped this past February. It is a story that’s biblical in nature and has a talented cast of African-American actors behind it. The cast includes LaKeith Stanfield (as Clarence), Omar Sy, David Oyelowo and Alfre Woodard. The white guys are Benedict Cumberbatch and James McAvoy, both said to have supporting roles.

A test-screening occurred last month in Los Angeles. I had posted a reaction:

Hey I saw the book of Clarence last night at a test screening and I thought it was alright, a little bit of Taika Waititi mixed with some of the directors previous style to make something that forms a halfway interesting idea about challenging faith with knowledge only to succumb to that and become a movie about the belief in Jesus. Lakeith is great here and the music is the movies strongest aspect. Overall I think it works best as a conversation starter, especially having such a predominantly black cast and having so many modern aspects to it (smoking of weed, racial epithet, a scene where they dance to synth music like in a club) it’s unabashedly a black piece of filmmaking. The tone going in the first 30 minutes is very Waiti meets Sorry to Bother you and Cumberbatch is almost in borderline blackface (he’s meant to be a dirty filthy street beggar who receives a makeover to look just like Jesus is pictured today in one of the most amusing moments in the movie) and it ultimately finds it stride halfway through.

Not very reassuring.

Samuel’s directorial debut was the star-studded Western, “The Harder They Fall.” Before that he was known for having a long career in music as the artist known as The Bullitts. Let’s all pray that this one’s better than “The Harder They Fall.”

← Spielberg, Scorsese, and PTA Organize Emergency Call With David Zaslav After TCM LayoffsConfirmed: Woody Allen’s ‘Coup de Chance’ to Play Out of Competition at Venice →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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