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Chris Rock Says Daniel Kaluuya Was “Kind of Retired” Before ‘Misty Green’ Comeback: “I Had to Beg Him”

Daniel Kaluuya took a sabbatical from acting back in 2022. There have been many theories as to why, but the important thing is he’s finally back, starring in this fall’s Chris Rock-directed “Misty Green.”

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‘Bunker’ Is a Paranoid Thriller, Marriage Drama, and Tech-Bro Apocalypse Movie All at Once [Venice]

Zeller’s feature debut, “The Father,” was an acclaimed and Oscar-winning film. Many believe he struck out with his sophomore effort, 2022’s critically maligned “The Son.” This is another miss.

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‘Practical Magic 2’ Is Tanking With Critics — 32% on Rotten Tomatoes

No surprise, “Practical Magic 2” is not doing well with critics. We all saw it coming. The first was also hammered with bad reviews. The only reason we’re getting a sequel is due to its cult base and ‘90s nostalgia.

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M. Night Shyamalan’s ‘Remain’ Teaser: Jake Gyllenhaal Stars in Hitchcockian Romance

A two-minute teaser has been released, and it looks intriguing and beautiful; Shyamalan is working with a new DP on this one, Adolpho Veloso—who shot the acclaimed “Train Dreams.”

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‘Artificial’ Trailer, Sets Christmas 2026 Theatrical Release

Here’s the teaser for Luca Guadagnino’s “Artificial,” which Neon has officially dated for a December 25, 2026 release. I’ve also posted some first look images below.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Book of Clarence' Pushed to 2024 Release Date

June 21, 2023 Jordan Ruimy

There were some out there clinging to the belief that Jeymes Samuel’s “The Book of Clarence” would be an Oscar contender. It might still go to TIFF, not sure about Venice or Telluride. But today’s news isn’t reassuring.

Sony has bumped the film’s release date from September 22nd, 2023 to January 12th, 2024. Unless the studio is actually giving this film a late limited December release, then its Oscar chances are basically toast.

Samuel’s film is about a man named Clarence living in 29 A.D. Jerusalem who looks to capitalize on the rise of Jesus Christ. It sounds intriguing enough. The setting is, at the very least, intriguing.

Production on the film began last November and wrapped this past February. It is a story that’s biblical in nature and has a talented cast of African-American actors behind it. The cast includes LaKeith Stanfield (as Clarence), Omar Sy, David Oyelowo and Alfre Woodard. The white guys are Benedict Cumberbatch and James McAvoy, both said to have supporting roles.

A test-screening occurred last month in Los Angeles. I had posted a reaction:

Hey I saw the book of Clarence last night at a test screening and I thought it was alright, a little bit of Taika Waititi mixed with some of the directors previous style to make something that forms a halfway interesting idea about challenging faith with knowledge only to succumb to that and become a movie about the belief in Jesus. Lakeith is great here and the music is the movies strongest aspect. Overall I think it works best as a conversation starter, especially having such a predominantly black cast and having so many modern aspects to it (smoking of weed, racial epithet, a scene where they dance to synth music like in a club) it’s unabashedly a black piece of filmmaking. The tone going in the first 30 minutes is very Waiti meets Sorry to Bother you and Cumberbatch is almost in borderline blackface (he’s meant to be a dirty filthy street beggar who receives a makeover to look just like Jesus is pictured today in one of the most amusing moments in the movie) and it ultimately finds it stride halfway through.

Not very reassuring.

Samuel’s directorial debut was the star-studded Western, “The Harder They Fall.” Before that he was known for having a long career in music as the artist known as The Bullitts. Let’s all pray that this one’s better than “The Harder They Fall.”

← Spielberg, Scorsese, and PTA Organize Emergency Call With David Zaslav After TCM LayoffsConfirmed: Woody Allen’s ‘Coup de Chance’ to Play Out of Competition at Venice →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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