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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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David Fincher’s ‘The Further Mis-Adventures of Cliff Booth’ FINALLY Has A Trailer! [Updated]

Netflix has finally decided to stop teasing us with cryptic teasers and has given us an actual trailer for “The Further Mis-Adventures of Cliff Booth,” David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Martin Scorsese Calls Ari Aster “One of the Most Extraordinary New Voices in World Cinema”

April 18, 2023 Jordan Ruimy

Last night’s “Beau is Afraid” Q&A with Martin Scorsese and Ari Aster was a fascinating conversation about the film and the thought process behind it.

Scorsese is a very big fan of Aster’s films. He already praised “Hereditary” and “Midsommar” to the high heavens. It seems as though Scorsese is a big fan of the current A24-approved new wave of horror; if you remember, he also has very kind words to say about Ti West’s “Pearl” last year.

Regardless, at last night’s Q&A, Scorsese introduced Aster as “one of the most extraordinary new voices in world cinema.” That kind of praise from the master should not be taken lightly.

Scorsese added, “This film was remarkable for me on different levels. The second time I saw it I noticed the technical artistry behind it. The first time I didn’t know what it was about, nobody had told me anything about it. I was impressed by the language of it which was so unique and so original. The risk taking is so unique and so powerful and there aren’t many filmmakers who can’t do that on that level today.”

Here’s what Scorsese said about “Midsommar”:

I can tell you that the formal control is just as impressive as that of Hereditary, maybe more so, and that it digs into emotions that are just as real and deeply uncomfortable as the ones shared between the characters in the earlier picture. I can also tell you that there are true visions in this picture, particularly in the final stretch, that you are not likely to forget. I certainly haven’t.

There has been contentious debate, and not just on this site, about Aster’s brand of cinema. Some people loved “Hereditary,” others hated it. The same can be said about “Midsommar.” This kind of polarization has even had Aster admit, numerous times, that he’s not well-liked in some circles and that he “loves it”.

“Beau is Afraid” will not convert the haters one bit. In fact, it’s probably Aster’s most polarizing film, and that’s saying something. The reviews and crowd reactions have been mixed. However, those who dig ‘Beau’ seem to really love it. I’m strangely in the middle. A rewatch will be needed.

Meanwhile, it looks as though Aster will be shooting his new film very soon. His DP Pawel Pogorzelski briefly mentioned over the weekend that Aster’s next movie is the neo-western “Eddington,” set to shoot this summer.

← Aziz Ansari’s ‘Good Fortune’ Adds Seth Rogen and Keanu ReevesAri Aster’s Next Film is ‘Eddington’, A “Western Noir Dark Comedy” Set to Shoot This Summer →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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