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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

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Martin Scorsese Calls Ari Aster “One of the Most Extraordinary New Voices in World Cinema”

April 18, 2023 Jordan Ruimy

Last night’s “Beau is Afraid” Q&A with Martin Scorsese and Ari Aster was a fascinating conversation about the film and the thought process behind it.

Scorsese is a very big fan of Aster’s films. He already praised “Hereditary” and “Midsommar” to the high heavens. It seems as though Scorsese is a big fan of the current A24-approved new wave of horror; if you remember, he also has very kind words to say about Ti West’s “Pearl” last year.

Regardless, at last night’s Q&A, Scorsese introduced Aster as “one of the most extraordinary new voices in world cinema.” That kind of praise from the master should not be taken lightly.

Scorsese added, “This film was remarkable for me on different levels. The second time I saw it I noticed the technical artistry behind it. The first time I didn’t know what it was about, nobody had told me anything about it. I was impressed by the language of it which was so unique and so original. The risk taking is so unique and so powerful and there aren’t many filmmakers who can’t do that on that level today.”

Here’s what Scorsese said about “Midsommar”:

I can tell you that the formal control is just as impressive as that of Hereditary, maybe more so, and that it digs into emotions that are just as real and deeply uncomfortable as the ones shared between the characters in the earlier picture. I can also tell you that there are true visions in this picture, particularly in the final stretch, that you are not likely to forget. I certainly haven’t.

There has been contentious debate, and not just on this site, about Aster’s brand of cinema. Some people loved “Hereditary,” others hated it. The same can be said about “Midsommar.” This kind of polarization has even had Aster admit, numerous times, that he’s not well-liked in some circles and that he “loves it”.

“Beau is Afraid” will not convert the haters one bit. In fact, it’s probably Aster’s most polarizing film, and that’s saying something. The reviews and crowd reactions have been mixed. However, those who dig ‘Beau’ seem to really love it. I’m strangely in the middle. A rewatch will be needed.

Meanwhile, it looks as though Aster will be shooting his new film very soon. His DP Pawel Pogorzelski briefly mentioned over the weekend that Aster’s next movie is the neo-western “Eddington,” set to shoot this summer.

← Aziz Ansari’s ‘Good Fortune’ Adds Seth Rogen and Keanu ReevesAri Aster’s Next Film is ‘Eddington’, A “Western Noir Dark Comedy” Set to Shoot This Summer →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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