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Brady Corbet’s Mysterious New Film is Titled ‘The Origin of the World’
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S. Craig Zahler’s ‘The Bookie and the Bruiser’ FINALLY Shooting in March
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FIRST LOOK: Paul Mescal, Barry Keoghan, Joseph Quinn, and Harris Dickinson in Sam Mendes’ ‘The Beatles’
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Josh Safdie Seemingly Removed From Tomorrow’s ‘Marty Supreme’ Q&A
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O’Dessa A’zion Drops Out of Sean Durkin’s ‘Deep Cuts’ After “Whitewashing” Backlash
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Aziz Ansari’s ‘Good Fortune’ Adds Seth Rogen and Keanu Reeves

April 18, 2023 Jordan Ruimy

As I exclusively reported on March 23, Aziz Ansari is set to direct a new film, after failing to revive “Being Mortal,” which will mostly likely never be completed.

I mentioned that Ansari would be shooting “Good Fortune” in May. The film is being described as a “high concept comedy about the gig economy in Los Angeles.”

The film was officially announced today with a cast that includes Keanu Reeves and Seth Rogen. Lionsgate has picked up the film for distribution. It’s all coming together very nicely for Ansari.

Production on Ansari’s “Being Mortal” began in the Spring of 2021. Then three weeks later, the shoot was derailed when Searchlight received a complaint from an actress about “inappropriate behavior” on the part of Bill Murray.

Production on the film, which was halfway completed, shut down and never started back again.

There was word that Ansari’s agents were shopping “Being Mortal” around at the Cannes market, but to no avail. It turned out that nobody wanted to touch this movie.

Now “Being Mortal” will never be finished and just become a part of Hollywood lore. Hopefully, Ansari can bring back the crew and other production staff from that film into this next project.

← 12 Summer Movies That Could Be GreatMartin Scorsese Calls Ari Aster “One of the Most Extraordinary New Voices in World Cinema” →

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