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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Cannes Critics’ Week 2023 Lineup Has Been Announced

April 17, 2023 Jordan Ruimy

Last week, we finally had the lineup for this year’s Cannes Film Festival revealed. We are still awaiting the 5 or 6 additions to complete the selection, hopefully this Thursday.

Tomorrow, we’re going to have the always-exciting Quinzaine des Realisateurs aka Director’s Fortnight announce their list of 2023 films — some of the titles rumored to be there include Bertrand Bonello’s “The Beast,” Sean Price Williams’ “The Sweet East,” Bertrand Mandico’s “Conann,” and Michel Gondry’s “Le Livre des Solutions.”

Announced today, take a look at the Cannes Critics’ Week lineup. If you’re interested in smaller filmmaking names, but some of the best up-and-coming directors out there, then this section is for you.

The Critics’ Week sidebar is composed of first and second-time filmmakers. Last year’s big breakout was Charlotte Wells’ “Aftersun” and that film is even featured in this year’s official poster. It was maybe the most successful title to debut at Critics’ Week since Alejandro Gonzalez Inarritu 2000 debut “Amores Perros.”

This 2023 edition of CW features seven films in competition, as well as an additional four films marked as “special screenings.” There will be highly-anticipated feature debuts from Amanda Nell (“Tiger Stripes”) and, Bong Joon-ho protégé, Jason Yu (“Jam”).

The opening night film has been selected to be “Ama Gloria,” directed by French filmmaker Marie Amachoukeli, who previously won Cannes’ Camera d’Or for 2014’s “Party Girl.”

Cannes Critics’ Week begins on May 17. You can check out the full lineup below:

COMPETITION

Power Alley (Levante) * (Br-Fr-Uru)
Dir: Lillah Halla

Il Pleut Dans La Maison * (Bel-Fr)
Dir: Paloma Sermon-Daï

Inshallah A Boy * (Jor-Saudi-Qat-Fr)
Dir: Amjad Al Rasheed

Sleep (Jam) * (S Kor)
Dir: Jason Yu

Lost Country (Fr-Ser-Lux-Cro)
Dir: Vladimir Perisič

Le Ravissement * (Fr)
Dir: Iris Kaltenbäck

Tiger Stripes * (Malay-Tai-Sing-Fr-Ger-Neth-Indo-Qat)
Dir: Amanda Nell Eu

SPECIAL SCREENINGS

Ama Gloria (Fr) – OPENING FILM
Dir: Maria Amachoukeli

The (Exp)erience Of Love/Le Syndrome Des Amour Passés (Bel-Fr)
Dir: Ann Sirot & Raphaël Balboni

Vincent Must Die * (Fr)
Dir: Stéphan Castang

No Love Lost (La Fille de Son Père) (Fr) – CLOSING FILM
Dir: Erwan Le Duc

← Denis Villeneuve Rumored to Direct Next James Bond‘Showing Up’ is Kelly Reichardt’s Loosest and Most Playful Film [Review] →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

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