Here are rumors and some confirmed intel.
It looks as though a vote took place within the Cannes committee as to whether or not Catherine Corsini’s controversial “Le Retour” should be added to competition. I’m hearing it was successful for Corsini and she’ll be announced as one of the five titles on Monday.
Meanwhile, Bertrand Bonello’s “The Beast” is very close to being added to the competition lineup. Right now, it looks as though the Léa Seydoux-starring film is holding off on its invite from Venice and waiting on Cannes boss Thierry Fremaux’s decision, if it hasn’t been made already.
Add in the already-reported inclusion of Jean-Stéphane Sauvaire‘s “Black Flies” and we have 3 of the 5 titles Fremaux said would be added to the lineup.
Bruno Dumont’s “L’Empire” is very likely to be announced somewhere. He was offered the opening slot of Quinzaine des Cineastes, but declined. He was offered a Cannes Premiere slot by Fremaux but declined. He wants competition. If he doesn’t get competition then I would presume that he’ll take the Cannes Premiere invite in the end. Venice doesn’t seem to be an option for this one.
Meanwhile, I haven’t heard a peep about Yorgos Lanthimos’ “Poor Things” and Alexander Payne’s “The Holdovers.” Will they or won’t they? One thing’s for sure, if they don’t show up on Monday then they are most likely going to Venice.
As for Jeff Nichols’ “The Bikeriders,” the story being given is that it’s “not ready,” but many of you already know my skepticism when it comes to this two-word excuse. Yes, on many occasions, it’ll be the truth, but I had heard that the film was ready just a month ago. Take that for whatever it’s worth.
As for Martin Scorsese’s “Killers of the Flower Moon” being in competition, still no word yet on that front. Fremaux is willing to wait until the night before Cannes begins to get an answer from Apple. I’m hearing they are leaning towards it competing.