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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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‘Primetime’: Robert Pattinson Delivers in Entertaining, Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

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Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

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Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Christopher Nolan Says He’d Direct Another Franchise Film, But He Must “Own It Completely”

November 8, 2023 Jordan Ruimy

The rumors of Christopher Nolan helming the next James Bond movie won’t stop until the next Bond director actually gets announced, which might not happen for another year or two.

In a new profile at Variety, Nolan spoke about the massive success of his most recent film, “Oppenheimer,” but also tackled the possibility of him directing a “franchise” film. Much to nobody’s surprise, Nolan says he’d do it, but needs total creative freedom.

When questioned about what might be next for him, Nolan remained coy, not really wanting to delve on the specifics. The fact that he’s not ruling a return to franchise filmmaking means there is a possibility —

“Ideas come from everywhere,” Nolan explained. “I’ve done a remake, I’ve made adaptations from comic books and novels, and I’ve written original screenplays. I’m open to anything. But as a writer and director, whatever I do, I have to feel like I own it completely. I have to make it original to me: The initial seed of an idea may come from elsewhere, but it has to go through my fingers on a keyboard and come out through my eyes alone.”

The Nolan/Bond rumors had it that the director wanted to craft his own set of films from scratch, without the interference of any other creative bodies. And to be fair, Nolan has earned the right to do that. After the success of “Oppenheimer,” he can probably do whatever the hell he wants.

Nolan adds that he doesn’t start writing a script until he knows for sure that he’s actually going to make the movie he sees in his head.

That’s partly due to his experience writing a biopic about Howard Hughes in the early aughts. He loved the screenplay he’d finished and expected to cast Jim Carrey as the reclusive billionaire, but he had to abandon it when a competing Hughes project, Martin Scorsese’s “The Aviator,” went into production. To this day, he hasn’t seen Scorsese’s film, something he had to confess to its star, Leonardo DiCaprio, when they made “Inception.” 

Oppenheimer” was released four months ago. The film will be available on Blu-ray, DVD and digital on Nov. 21.

← Richard Linklater’s ‘Hit Man’ A 2024 Release, via NetflixNegative Reviews for ‘The Marvels’ →

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Critics Polls

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We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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