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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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James Cameron’s ‘The Abyss’ Director’s Cut Will Be Released in Theaters on December 6

November 13, 2023 Jordan Ruimy

James Cameron has announced that his 1989 sci-fi film, “The Abyss,” is returning to theaters on December 6th. This is said to be the Director’s Cut of the film, which has long been desired by movie fans.

“I’m excited to announce that the Special Edition of The Abyss, which we remastered in 4K, is going to be presented in theaters this December,” Cameron announced.

He continued, “If you haven’t seen the film before, this is the way to experience it. And if you have, you’ll be seeing the film I actually set out to make. With some big surprises not seen in the original released version. I hope you’ll take advantage of seeing The Abyss, my first ocean film, back in theaters.”

Although no date has been announced, the plan is to eventually release this 4K remaster of “The Abyss” on Blu-Ray and home video sometime next year. Here’s what I had originally written about the director’s cut, on 09.29.23 —

James Cameron was at Beyond Fest to talk about his “first really big, kind of mega-budget movie,” 1989’s The Abyss. He described it as a film that “wasn’t kind of a slam dunk in the way Aliens was.” (via IndieWire).

Cameron admitted he “didn’t know exactly how it was going to work,” and felt “pulled in different directions” by the story. “It all made sense to me at the time, that’s all I can say,” he shrugged.

The filmmaker also revealed that showing the film to its first audience was a chore. He experienced his first test screening with “The Abyss”, but “I didn’t know how to read the cards. I didn’t know how to interpret the data,” he explained. “The studio wasn’t terribly helpful.”

“The Abyss” is definitely not a film that stands out in Cameron’s filmography, especially when it includes the likes of “Terminator,” “Aliens,” “Titanic” and “Avatar,” and its existence has always been marred by Cameron’s unsatisfying reaction to the finished product.

Cameron wanted to release his 3-hour cut of the film, only to have his hands tied up by 20th century — they told Cameron that he could get final cut as long as the film was no longer than 2 hours 15 minutes. A big chunk of the originally envisioned third act was left on the cutting room floor.

In 1993, Cameron went back in the editing room and released a special edition. Fans will soon be able to see Cameron’s cut in a 4K restoration of the film:

All of the mastering is done and I think it drops pretty soon—a couple of months or something like that. There’s a lot of added material that they’re sticking in there, and it will be available on streaming simultaneously. But I didn’t just want to look at the old HD transfer. I wanted to do it right.

Back in 1989, “The Abyss” was met with, mostly, positive reviews. It grossed $89 million worldwide and, in ensuing years, spawned a cultish fanbase.

The release of the Special Edition in 1993 garnered better reviews. Gene Siskel had proclaimed, "The Abyss has been improved," and Roger Ebert added, "It makes the film seem more well rounded."

← Wes Anderson Shot More ‘Henry Sugar’ Shorts, 2024 Release?Denzel Washington to Star as Hannibal in Antoine Fuqua’s Netflix Film →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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