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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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‘Primetime’: Robert Pattinson Delivers in Entertaining, Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

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Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

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Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Martin Scorsese Loves ‘Pearl’

September 19, 2022 Jordan Ruimy

I’ve already written about Ti West’s “Pearl”, even including it in my TIFF ten best list, but it pleases me to to learn that none other than Martin Scorsese is also a big fan.

Scorsese loved it so much that he went out of his way to pen a letter to A24 in which he gushes about the Mia Goth-starring film:

"Ti West's movies have a kind of energy that is so rare these days, powered by a pure, undiluted love for cinema. You feel it in every frame. A prequel to 'X' made in a diametrically opposite cinematic register (think 50s Scope color melodramas), 'Pearl' makes for a wild, mesmerizing, deeply — and I mean deeply — disturbing 102 minutes. West and his muse and creative partner Mia Goth really know how to toy with their audience ... before they plunge the knife into our chests and start twisting. I was enthralled, then disturbed, then so unsettled that I had trouble getting to sleep. But I couldn't stop watching."

It’s quite simply the best movie currently playing in theaters. A cinematic bonbon filled with mirth and malice. It’s also richly cinematic in its camera movements, photography and, really, just the entire mise-en-scene.

Set during the 1918 pandemic, with plenty of townspeople wearing face masks, “Pearl” builds and fully fleshes out its anti-heroine (played by a deliciously twisted Mia Goth). She’s trapped on her mother’s isolated farm, lusting for the glamorous life she sees at the movies. We all figure that, sooner or later, she’ll probably snap. And, that she does.

Here’s filmmaker Ti West, buzzing from having already released “X” this year, with a superior prequel to that horror movie. “Pearl” can be very comedic at times in its full-blown acceptance of the crazed titular character’s naïveté. The film is shot with the kind of beautiful photography that recalls 1950s technicolor. The colors pop in this dark and twisted tale.

If you don’t know where to start with Ti West’s filmography, I highly recommend that you watch 2016’s “In a Valley of Violence,” a truly underrated and grisly western starring, of all people, John Travolta and Ethan Hawke.

← David O. Russell’s ‘Amsterdam’ is Being Panned by Critics … [Updated]‘Empire of Light’ is at 48% on Rotten Tomatoes →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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