The Toronto International Film Festival is set to announce its first set of titles for the 2022 edition next week. A larger batch of selections will be announced in July, which is also when the Venice Film Festival announces its entire lineup.
With the knowledge that Wes Anderson, and Jonathan Glazer Are now 2023 films. Yorgos Lanthimos’ “Poor Things,” and Ari Aster’s “Disappointment Blvd” currently in limbo (although that could change). And that means Scorsese, Fincher, O. Russell, Del Toro, Mendes, Chazelle and Spielberg are all skipping the fall fests.
I’ve gathered 70 movies that could screen during the fall festival season. A few surprises could (probably will) sneak in. I’m thinking maybe Chazelle’s “Babylon” ultimately decides to go the way of fall festivals. Roman Polanski’s “The Palace” could be ready. Maybe even Yorgo Lanthimos’ “Poor Things” …
Which titles are you anticipating the most from Venice/Toronto/Telluride?
As it stands, the 20 hot titles:
“Bardo” (Alejandro Gonzalez Inarritu)
“White Noise” (Noah Baumbach)
“The Whale” (Darren Aronofsky)
“Blonde” (Andrew Dominik)
“TAR” (Todd Field)
“The Banshees of Inisherin” (Martin McDonagh)
“Bones and All” (Luca Gudagnino)
“The Son” (Florian Zeller)
“The Eternal Daughter” (Joanna Hogg)
“Women Talking” (Sarah Polley)
“Eileen” (William Oldroyd)
“She Said” (Maria Schrader)
”The Master Gardener” (Paul Schrader)
”The Wonder” (Sebastián Lelio)
“Don't Worry Darling” (Olivia Wilde)
“Passages” (Ira Sachs)
“Next Goal Wins” (Taika Waititi)
”Dead For A Dollar” (Walter Hill)
”Red, White and Water” (Lila Neugebauer)
”The Good Nurse” (Tobias Lindholm)
”The Pale Blue Eye” (Scott Cooper)
The Next 20:
“The Greatest Beer Run Ever” (Peter Farrelly)
”Borderlands” (Eli Roth)
”I Wanna Dance With Somebody” (Kasi Lemmons)
“The Lost King” (Stephen Frears)
”Marlowe” (Neil Jordan)
”Are You There God, It's Me, Margaret” (Kelly Fremon)
”Landscape with Invisible Hand” (Corey Finley)
“You People” (Kenya Barris)
”Infinity Pool” (Brandon Cronenberg)
”Beth and Don” (Nicole Holofcener)
“The Marsh King's Daughter” (Neil Burger)
”The Woman King” (Gina Prince-Bythewood)
”Argyle” (Matthew Vaughn)
”The Mother” (Niki Caro)
”The Menu” (Mark Mylod)
”I Came By” (Babak Anvari)
”Havoc” (Gareth Evans)
”Ticket to Paradise” (Ol Parker)
”BROS” (Nicholas Stoller)
”Rustin” (George C. Wolfe)
Another 10:
”All Quiet on the Western Front” (Edward Berger)
”The Listener” (Steve Buscemi)
“Chevalier” (Stephen Williams)
”Monkey Man” (Dev Patel)
”Persuasion” (Carrie Cracknell)
”Emily” (Frances O’Connor)
”Flamin Hot” (Eva Longoria)
”El Tonto” (Charlie Day)
”13: The Musical” (Tamra Davis)
”Rosaline” (Karen Maine)
”Sharper” (Benjamin Caron)
20 Non-American Films:
“Savagery” (Miguel Gomes)
“No Bears” (Jafar Panahi)
“Untitled” (Hong Sang-soo)
“Rheingold” (Fatih Akin)
“Les Enfants Des Autres” (Rebecca Zlotowski)
“Love Life” (Koji Fukada)
“Eureka” (Lisandro Alonso)
“Le Monde d’Hier” (Christophe Honore)
“L’Immensita” (Emanuele Crialese)
“Monica” (Andrea Palaoro)
“Saint Omer” (Alice Diop)
“Love Life” (Koji Fukada)
“The State of the Empire” (Amat Eacalante)
“Human Flowers of Flesh” (Helena Wittmann)
“The Swimmers” (Sally El Hosaini)
“Tuesday” (Daina O. Pusic)
“The Happiest Man In The World” ( Teona Strugar Mitevska)
“Hanging Gardens” (Ahmed Yassin Al Daradji)
“Queens” (Yasmine Benkiran)
“Memory Of Water” ( Saara Saarela)
His reasoning is simple: Cregger sees himself first and foremost as a writer, and he has little interest in shaping stories around the predetermined “data points” that come with established IP.