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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Tabitha Jackson Exits Sundance After Just Two Years As Festival Director

June 7, 2022 Jordan Ruimy

Tabitha Jackson was given some bad lemons when she was handed Festival Director duties at the Sundance Film Festival, succeeding Jon Cooper’s incredible 11 year reign.

Jackson immediately had to deal with a pandemic that shook the industry to its core. Sundance takes place during the wintry month of January and, much to their bad luck, that’s when COVID-19 waves peaked in both 2021 and 2022.

Jackson and her crew decided that it was best to make the festival go virtual these last two years and the results have been fairly decent, including premiering the first ever Sundance movie to win the Best Picture Oscar (“CODA”).

Then again, the lineups still lacked the overall quality of past Sundance editions, with many filmmakers refusing to premiere their films virtually. This cost Sundance dearly this year, as they lost out on The Daniels’ critically-acclaimed “Everything Everywhere All At Once” to indie rival fest SXSW.

First Showing’s Alex Billington has been the person, that I know of at least, who has been following the deterioration of Sundance closely during the Jackson era. He had this to say today on Twitter:

Big shake ups at Sundance!! Lots of resignations this year. I always felt something was off with her - she knows filmmaking (where she came from) but was not good at running a festival. I hope they hire someone better, Sundance is slipping they need to get back on track again.

If you remember, Jon Cooper’s last year as Fest Director was quite exceptional, premiering the likes of “The Father,” “Promising Young Woman,” “Never Rarely Sometimes Always,” “ Palm Springs,” “Minari,” “Zola,” “Dick Johnson is Dead,” Time,” and many more.

An anonymous person recently messaged me, “between you and me, I ALWAYS felt like Jackson replacing Cooper was a diversity hire and that she had no idea how to actually run a festival. She comes from the doc world and knows how to MAKE films, but not how to run a fest, and it never seemed like she got a handle or understood how to run something as iconic as Sundance.”

Let’s not forget that Sundance lost quite a few important people these last few years, including CEO Keri Putnam, who left in 2021 to join TIFF. Many of their most important diversity hires are now gone.

My anonymous source went on to add, “they [Sundance] just think [diversity hires] are something they need to always do now, yet no other festival is doing it as intensely as they are, because, here’s a little secret, most of the industry is against it.”

I’m not going to add my two cents to this topic, but it sure looks as though the people at Sundance have a major problem in their hands and it doesn’t help that many virologists are predicting the next big COVID wave to show up again next winter.

← Tobias Lindholm’s ‘The Good Nurse’ Said to Be Darkly Gripping‘Everything Everywhere All At Once’ is Being Overpraised to the High Heavens [Review] →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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