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Paramount to Exit California Amid Warner Bros. Antitrust Fight

For months, people close to CEO David Ellison had hinted that he would leave if state AGs didn't drop their antitrust suit against the $111 billion Warner Bros. Discovery merger.

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Matthew Lillard Says He's “Ashamed" and “Embarrassed” He Returned for ‘Scream 7' After Melissa Barrera's Firing

Lillard says he was part of that silence and now regrets doing “Scream 7,” not because it turned out to be terrible, but because of how Barrera was treated.

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France Picks Andrey Zvyagintsev’s Russian-Language ‘Minotaur’ as Its 2027 Oscar Submission

France has selected Andrey Zvyagintsev’s “Minotaur” to represent the country in the international feature film race at the Oscars, despite the filmmaker and cast being Russian.

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Gregg Araki Starts Shooting ‘The Decline of F*cking Western Civilization’ with Ashton Kutcher and Alison Brie

Araki wrote the screenplay, and will direct “The Decline of F*cking Western Civilization,” a dark comedy starring Ashton Kutcher, Alison Brie, and Jesse Williams. The film started shooting today in Los Angeles.

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‘La Bola Negra’ Storms TIFF as Queer Epic Eyes Netflix’s First Best Picture Oscar

Last night, Los Javis' "La Bola Negra" held a triumphant screening at TIFF's Princess of Wales Theatre, and the standing ovation reportedly lasted through the entire credits.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Tabitha Jackson Exits Sundance After Just Two Years As Festival Director

June 7, 2022 Jordan Ruimy

Tabitha Jackson was given some bad lemons when she was handed Festival Director duties at the Sundance Film Festival, succeeding Jon Cooper’s incredible 11 year reign.

Jackson immediately had to deal with a pandemic that shook the industry to its core. Sundance takes place during the wintry month of January and, much to their bad luck, that’s when COVID-19 waves peaked in both 2021 and 2022.

Jackson and her crew decided that it was best to make the festival go virtual these last two years and the results have been fairly decent, including premiering the first ever Sundance movie to win the Best Picture Oscar (“CODA”).

Then again, the lineups still lacked the overall quality of past Sundance editions, with many filmmakers refusing to premiere their films virtually. This cost Sundance dearly this year, as they lost out on The Daniels’ critically-acclaimed “Everything Everywhere All At Once” to indie rival fest SXSW.

First Showing’s Alex Billington has been the person, that I know of at least, who has been following the deterioration of Sundance closely during the Jackson era. He had this to say today on Twitter:

Big shake ups at Sundance!! Lots of resignations this year. I always felt something was off with her - she knows filmmaking (where she came from) but was not good at running a festival. I hope they hire someone better, Sundance is slipping they need to get back on track again.

If you remember, Jon Cooper’s last year as Fest Director was quite exceptional, premiering the likes of “The Father,” “Promising Young Woman,” “Never Rarely Sometimes Always,” “ Palm Springs,” “Minari,” “Zola,” “Dick Johnson is Dead,” Time,” and many more.

An anonymous person recently messaged me, “between you and me, I ALWAYS felt like Jackson replacing Cooper was a diversity hire and that she had no idea how to actually run a festival. She comes from the doc world and knows how to MAKE films, but not how to run a fest, and it never seemed like she got a handle or understood how to run something as iconic as Sundance.”

Let’s not forget that Sundance lost quite a few important people these last few years, including CEO Keri Putnam, who left in 2021 to join TIFF. Many of their most important diversity hires are now gone.

My anonymous source went on to add, “they [Sundance] just think [diversity hires] are something they need to always do now, yet no other festival is doing it as intensely as they are, because, here’s a little secret, most of the industry is against it.”

I’m not going to add my two cents to this topic, but it sure looks as though the people at Sundance have a major problem in their hands and it doesn’t help that many virologists are predicting the next big COVID wave to show up again next winter.

← Tobias Lindholm’s ‘The Good Nurse’ Said to Be Darkly Gripping‘Everything Everywhere All At Once’ is Being Overpraised to the High Heavens [Review] →

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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