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‘Primetime’: Robert Pattinson Delivers in Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

Elliot Page Has Not Gotten Any Acting Offers Since ‘The Odyssey’: “If Someone Wants to Call Me ..."

When asked if “The Odyssey” had led to “getting a zillion calls” for new roles, the Oscar nominee revealed that work has been slow, despite now being able to “do some of my best work.”

‘Onslaught’ Bombs With Audiences, Earns a “C” CinemaScore as Adam Wingard Returns to His Indie Roots

Adam Wingard’s “Onslaught,” which hit theaters yesterday, has not been getting the best reviews, as it currently sits at 57% on Rotten Tomatoes, and its box office numbers are looking pretty grim.

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August 19, 2019

3-Hour ‘Midsommar' Director's Cut Screened in NYC

August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

Netflix Won’t Be at Cannes

February 23, 2022 Jordan Ruimy

After much speculation, talks of a possible Netflix comeback at Cannes have yet again faltered. That means Andrew Dominik’s “Blonde,” Noah Baumbach’s “White Noise,” and Jeremy Saulnier’s “Rebel Ridge” won’t be making an appearance on the Croisette this year. I imagine Baumbach will be at Venice, that’s the big loss for Fremaux. David Fincher’s “The Killer” is said to not be ready until the very end of the year, if even that. I bet contract talks were unsuccessful, in part, because Netflix doesn’t really have a strong lineup of arthouse films this year. Alas, onto next year.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.