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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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LA Times Calls for Gender Neutral Oscars: “Best Actress is Sexist”

December 22, 2022 Jordan Ruimy

A published op-ed in The Los Angeles Times is now calling for the Oscars to move away from gendered awards, and the Best Actor and Best Actress categories to be completely wiped from the docket.

The Crown’s Emma Corrin had shared her thoughts on the matter a few weeks ago, this has influenced the LAT to write this rather silly op-ed. Corrin identifies as non-binary (hey, so do I!) She believes that the Oscars should go gender-neutral and move towards categories that would encompass those who don’t identify as male or female (such as Corrin and myself).

As I stated in the late summer: Sooner or later, this kind of gender ideology will infect the Oscars. It’s not a matter of if but when. The media will just be the relentless pursuers of this issue until it gets adopted. That’s the sad truth. And, know what? It won’t matter because by then the Oscars will be in single-digit ratings, 95% of the population won’t care about the winners and politicized films they nominate. That is where we’re headed.

Fact of the matter is that a small percentage of people have gender issues, but, don’t worry, the rest of us will throw out gender to make them feel comfortable. While we’re at it, let’s call the Best Actress category “SEXIST!” because we’re the LA Times and we can get away with such trivial virtue signaling.

Honest question: why is having both categories sexist? What's wrong with having it so more people can get an award? Roles are specifically written for men, and others for women, what's the problem with celebrating both?

You’re also just opening the door for predictable outrage: if a male actor were to win the gender neutral category — then what happens? It’s actually been argued that this would hurt women as most meaty acting roles are for men, so they would have a better chance of winning every time. Whereas, if the other way were to occur, rewarding a woman could be perceived as unearned and deliberately done due to her gender. It’s a lose-lose situation for all, they just don’t know it yet.”

The fact that the LA Times went out of their way to write an op-ed about this topic speaks volumes about that paper’s priorities. Aren’t murder rates spiking in California? Ditto the homeless crisis? Aren’t there more relevant topics to write about than the Best Actress category being sexist?

← ‘Babylon’ Now 58% RottenThe Oddities in Variety’s 100 Best Movies of All-Time List — ‘Bridesmaids’? ‘My Best Friend’s Wedding’? →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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