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Benny Safdie's ‘Lizard Music' With Dwayne Johnson Sets Christmas 2027 Release

Amazon/MGM Studios has dated the live-action/CGI hybrid, starring Dwayne Johnson and directed by Benny Safdie, as a family-friendly holiday movie for December 25, 2027.

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‘You Can See Everything' Is Currently Letterboxd's Highest-Rated Film Ever, Beating ‘The Godfather,’ ‘12 Angry Men,’ ‘Seven Samurai’

Nathan Fielder and Lance Oppenheim's "You Can See Everything" has been in theaters for, what, three days? And it's already the highest-rated feature film of all time on Letterboxd.

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Quentin Tarantino Calls David Fincher “My Favorite Director, Aside From Myself"

Quentin Tarantino doesn't usually put modern-day filmmakers on his level. That’s just how he is. David Fincher seems to be the one exception.

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John Malkovich Is the Best Actor Frontrunner. Then It's Matt Damon, Andrew Scott, Ryan Gosling and… Tom Cruise?

At the top, it's John Malkovich's to lose. He is a lock for Martin McDonagh's "Wild Horse Nine.” This would be his first lead nod. A late-career Malkovich comeback in a McDonagh movie? I'm all for it.

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Tom Holland to Star in Drew Pearce's Thriller ‘Penthouse’ for Sony — and I'm Still Not Convinced He’s a Movie Star

I'm going to say what a lot of people think, and won't say out loud: I don't believe Tom Holland can be a movie star outside of Spider-Man. That's been my genuine hunch for a few years now.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Another Insufferable Take …

November 30, 2022 Jordan Ruimy

Here’s another sure-fire sign that we’re living through a kind of cinematic apocalypse.

A writer by the name of Holly Williams has written one of those this-classic-is-problematic think pieces for The Independent. Williams tackles, of all the movies, Richard Curtis’ “Love Actually” which isn’t any kind of masterpiece, but has become a well-loved film for many during the holiday season. Williams aims to strip that joy out of people with this piece — she sounds, like all these virtue-signalling writers, a total narcissist grinch.

Of course, as always, when it comes to these kinds of revisionist write-ups, this one is a truly terrible take all across the board. Williams criticizes the film as “problematic,” shot via a “male gaze,” and complains that it tackles “passive women serving mens needs and desires”

“The message certainly seems to be: only women who are sexy and make their men happy get their own happy endings. Screw you, Richard Curtis. That’s not OK, actually.”

There’s a weird phenomenon going on these days in film journalism, almost like a contest, between these nervous 20-somethings, where the person who points out something ‘problematic’ first, wins. It’s all about status, an endorphin rush, feeling better and more socially aware.

Williams also calls out the film for not having a same-sex story as part of its plot. Yes, because every romcom should, apparently, live in a world where 50% of the population is gay. The idea that every movie must represent every group is ridiculous. That’s not how life works, but apparently some people seem to believe it’s true.

At the end of the day, you have to be one sad sack individual to demand representation towards a movie released 20 years ago? Williams is essentially mad that a two-decade-old movie doesn’t check all the boxes for today’s moral compass.

Williams would probably have a stroke if, God forbid, she finally decided to start watching movies from the ‘50s. “Love Actually” is peanuts compared to some of the “male gaze” classics from that era.

Apparently, left-leaning rags hating on “Love Actually” around Christmas time has become a thing, with Vox Stylist, Insider, Cosmopolitan, The Atlantic, Jezebel and Cracked having all shared their outrage over the years …

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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