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Gregg Araki Starts Shooting ‘The Decline of F*cking Western Civilization’ with Ashton Kutcher and Alison Brie

Araki wrote the screenplay, and will direct “The Decline of F*cking Western Civilization,” a dark comedy starring Ashton Kutcher, Alison Brie, and Jesse Williams. The film started shooting today in Los Angeles.

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‘La Bola Negra’ Storms TIFF as Netflix Eyes Its First Best Picture Oscar

Last night, Los Javis' "La Bola Negra" held a triumphant screening at TIFF's Princess of Wales Theatre, and the standing ovation reportedly lasted through the entire credits.

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‘Resident Evil’ Reviews Are Positive — 80 Metacritic, 98% Rotten Tomatoes

I’m now predicting a $50M domestic opening weekend for this movie, which will only further cement Cregger’s drawing power after “Barbarian” and “Weapons.”

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‘Spider-Man: Brand New Day’ is Officially Highest-Grossing Movie of All-Time at Domestic Box Office

Now the question is whether Spidey can become the first movie to cross $1 billion domestically. With its legs having slowed down, and $63M in receipts still needed, I highly doubt it.

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Paul Schrader's ‘Non Compos Mentis’ Recasts: Sam Worthington, Liam Hemsworth and Cara Delevingne To Star in “Erotic Thriller”

After filming wraps on "Non Compos Mentis," which shoots next month, Schrader plans to start production on his "drug movie," "The Doors of Perception," in January.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Oscars: ‘The Whale’ and Brendan Fraser Being Driven By Manufactured Buzz

November 29, 2022 Jordan Ruimy

Last week I received A24’s screeners package by mail. Every notable film from their 2022 slate was present, except for Darren Aronofsky’s “The Whale.”

“The Whale” has had to bank on Oscar buzz, which relied heavily on viral videos of its star, Brendan Fraser, garnering standing ovations at film festivals. The video of the one he received at Venice has close to 400k likes on Twitter.

A trailer was also — finally— released a few weeks ago, but it was mostly composed of quotes from critics with just a handful of closeups of Brendan Fraser’s face.

Now A24 has released an ad that goes back-and-forth between Fraser giving an acceptance speech mixed-in with more closeup footage of his face. It rings very hollow; there’s barely any nuance to it, just pure maudlin (much like the movie).

It’s quite obvious that the odd marketing stems from A24 being absolutely frightened by the reaction that Brendan Fraser’s “fat suit” might garner once more people finally get to watch the movie. It’s all about the inevitable “fat shaming” discourse that will occur when social media puritans watch this one. The reality of the matter is that you can only deviate attention away from the “600-pound gay man narrative” for so long.

However weird and unconventional A24’s campaigning/marketing might be for this film, you have to really give them credit: they’ve mastered the art of hiding a movie and still having people consistently talk about it. A24’s constant deflecting will finally come to an end when “The Whale” is released on December 9th.

Many are predicting Aronofsky’s film will get a Best Picture nomination, along with an inevitable Best Actor nod for Fraser. And yet, it’s not like “The Whale” is receiving rousing acclaim, reviews have been mixed. The film has been very divisive with the critics who have seen it, but the buzz has mostly continued on. Fraser is too well-loved for anybody to give a damn.

Fraser’s performance in “The Whale” is NOT worthy of any honors. The buzz is absolutely being driven by the infectious narrative behind it. Fraser’s gone through a lot, with many ups and downs, and he’s a survivor. Everyone is rooting for him because he’s a genuinely nice guy who got victimized by this toxic industry.

The “Brendan Fraser for Best Actor” narrative began way before anybody had actually seen “The Whale.” If his performance was actually a total knockout, then we’d already be saying that he’s a cinch to win the Oscar. But it’s not. There’s the real possibility that Austin Butler or Colin Farrell might win.

What “The Whale” basically amounts to is a silly self-serious weepie. It doesn’t hide its shameless attempts at tugging the heartstrings. It seems to have worked for some people, but I wasn’t buying it. It remains to be seen how Academy voters will react.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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