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‘Spider-Man: Brand New Day’ is Officially Highest-Grossing Movie of All-Time at Domestic Box Office

Now the question is whether Spidey can become the first movie to cross $1 billion domestically. With its legs having slowed down, and $63M in receipts still needed, I highly doubt it.

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Paul Schrader's ‘Non Compos Mentis’ Recasts: Sam Worthington, Liam Hemsworth and Cara Delevingne To Star in “Erotic Thriller”

After filming wraps on "Non Compos Mentis," which shoots next month, Schrader plans to start production on his "drug movie," "The Doors of Perception," in January.

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MPA: ‘Clayface’ and ‘The Social Reckoning’ Ready With “R” Ratings

Aaron Sorkin's "The Social Reckoning" has officially been stamped with an "R" rating for language, which is another idiotic move from the MPA. Why must "language" get an "R"?

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‘Digger’ Box Office Tracking Points to a Soft $20M Debut for Tom Cruise and Iñárritu

I actually find that number optimistic. Tickets for “Digger” go on sale next Tuesday, and presales will give us a better picture of how bad it’s looking.

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Danny Boyle's ‘Ink' TIFF Q&A Cut Short After Audience Member Grills Him on AI Use

Boyle's answer was met with a shout of "Never do that shit again" from the crowd, and the TIFF moderator swiftly brought the Q&A to a close, thanking everyone for coming.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Best Horror Movies of the 21st Century?

October 25, 2022 Jordan Ruimy

Halloween is a week away and horror has been thriving at the box-office this year. Not just that, arthouse horror is very much still being critically-acclaimed with filmmakers such as Robert Eggers, Ari Aster and Jordan Peele leading the way.

Some recommendations are in order.

Last year, I published the 10 best of the 2010s. I’ll probably post my list of the 10 greatest horror movies next week. Let’s up the ante and name our best horror of the 21st Century. So much to choose from, it’s a genre that keeps reinventing itself and refuses to get dated. These are the 11 I keep coming back to …

It Follows (David Robert Mitchell)
Hereditary (Ari Aster)
Black Swan (Darren Aronofsky)
The Invisible Man (Leigh Whannell)
The Descent (Neil Marshall)
Get Out (Jordan Peele)
A Quiet Place (John Krasinski)
The Others (Alejandro Amenábar)
28 Days Later (Danny Boyle)
The Mist (Frank Darabont)
Frailty (Bill Paxton)

Five from the 2000s and six from the 2010s. Paxton’s “Frailty” is one of the most severely underrated movies of the last 20 years. If you haven’t seen it, please do. Or questions our roles in religion, family and society. A very disturbing piece of cinema.

The first time I saw “Hereditary” was at its first and very memorable Sundance screening. I immediately went to my room and wrote a rave review for it. A24 picked it up and quoted me in the film’s trailer and poster. It was one of the most exciting discoveries of a new talent I had ever experienced.

A year earlier the same thing occurred, at Sundance again, with Jordan Peele’s “Get Out,” which was a very late addition “surprise” screening to the fest.

Then there’s David Robert Mitchell’s minimalist and sexual “It Follows.” The film refused to adhere to the conventions of 21st-century horror cinema. Mitchell delivered this stunningly authoritative movie. It was a blend of the surreal with the very real. A taste of the next generation of horror movies to come. Every scene in Mitchell’s film is filled with unbearable dread, bringing to mind early Carpenter. Scene after scene, the viewer is engulfed in an inescapable sexual nightmare.

There were so many more films choose to from, I love this genre so much and these we’re some other major highlight for me this century …

The Invitation, The Cabin in the Woods, The Witch, Lights Out, The Wailing, Don’t Breathe, Hush, Sinister, It, Crimson Peak, Goodnight Mommy, I Spit On Your Grave, Mandy, Raw, You’re Next, Attack the Block, Climax, Midsommar, Us, Cam, Possessor, The Guest, Drag Me To Hell, Paranormal Activity, Antichrist, Cabin Fever, Joy Ride, Piranha 3D, The Devil’s Rejects

← James Cameron Criticizes Marvel/DC Movies and Their Immature CharactersGothams: It’s ‘TÁR’ vs ‘Aftersun’ →

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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