• Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_8196.jpeg
‘Spider-Man: Brand New Day’ Shatters Thursday Preview Record With $75M, Targets Historic Opening
IMG_8194.webp
Warner Bros. and Paramount Are Making Separate, Competing ‘A Nightmare on Elm Street’ Remakes
Screenshot 2026-07-30 181600.png
Does John Boorman’s ‘The Exorcist II: Heretic’ Deserve Reappraisal? New Doc (and Scorsese) Make the Case
IMG_8193.jpeg
The 25 Best Documentaries of All-Time, According to THR
IMG_8187.webp
Denis Villeneuve’s ‘Dune 3’ “Goes Beyond” ‘Messiah’ and Into Something “No One Expected”
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

World of Reel

  • More
    • Yearly Top Tens
  • Interviews

Critics and Audiences Split, Again, This Time it’s ‘Black Adam’

October 23, 2022 Jordan Ruimy

Recent pieces from NME, Bloomberg and Forbes this weekend have some people talking. The latest example being pointed out is “Black Adam,” which currently sits at 44% on Rotten Tomatoes, but has an audience score of 90% — it’s yet another example of the major divide between regular moviegoers and film critics.

More and more critic scores and audience scores are diverging. It was always a known fact that, for decades, critics’ tastes did not align with what the audience wanted to see. Is it a matter of these same critics being out of touch with the general public’s tastes?

A film like “Memoria” might be praised by critics, but its 40% RT audience score sticks out like a sore thumb. Some of the more critically-heralded films of the last few years with low audience ratings include “Tree of Life” (59%), “Uncut Gems” (52%), “I’m thinking of ending things” (50%), “The Souvenir” (36%), Ad Astra (40%), Under the Skin (55%), The Green Knight (50%), “The Master” (62%), “Zama” (55%), “The Assassin” (48%), and The Last Jedi (41%).

I could also list hundreds upon hundreds of movies that audiences loved, but that critics hated. Regardless, you get the point.

It’s also probably wise to say that these contrasting opinions have always existed, but with Twitter and the likes of Rotten Tomatoes and IMDb, they now have a platform. And that is both good and bad. Discussions and conflicts are 100% necessary in the world of film; it’s a subjective industry that wouldn’t exist without it.

We have, however, come to the point where a majority of mainstream audiences are just happy watching whatever is put in front of them. The Netflix top 10 is a great example of that as it’s usually filled with nothing but dreck, and I’ve always had the sneaking suspicion that a big chunk of the viewers watching these popular titles on the streamer are doing so while also scrolling on their phones every few minutes.

I usually attend press screenings, with every attendee largely glued to the screen, no phone in sight, but on the occasion I’ll pay for a ticket with a regular audience and, almost every time regret my decision. Why? Because there are always a few douchebags around me constantly texting on their phones or, even worse, going on their social media. What was the point of buying a movie ticket if you’re not even going to watch most of the movie?

“Think about how stupid the average person is, then realize that half of em’ are stupider than that” — George Carlin

← Paul Thomas Anderson’s Next Film is 1940s L.A-Set Jazz Epic? Denzel Washington Rumored to Star‘Armageddon Time’: James Gray’s Most Personal and Heartfelt Film [Review] →

FOLLOW US!

No results found

Trending

Featured
IMG_7776.webp
‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner
IMG_7775.jpeg
Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival
IMG_7752.jpeg
Joel Coen’s ‘Jack of Spades’ Delayed to 2027
IMG_7512.jpeg
Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025