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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Power of the Dog’: Jane Campion’s Masterful Revisionist Western [TIFF]

September 11, 2021 Jordan Ruimy

Jane Campion‘s masterfully mysterious “The Power of the Dog” is her best film since 1993’s “The Piano.” That film won the Palme d’Or and I can imagine that, if it weren’t for the Netflix ban at Cannes, she would have maybe won the prize again this year. 

This is an intelligent and, very well acted period western set in the far reaches of the Montana mountains. Adapted from Thomas Savage’s cult novel of the same name, the story is set in 1925 as successful rancher brothers George (Jesse Plemons) and Phil (Benedict Cumberbatch) have their relationship tested when the more mild-mannered George, a wealthy cattle broker,  marries lonely widow Rose (Kirsten Dunst).

Rose and her son Peter (Kodi Smit- McPhee) arrive at the ranch, but are clearly not welcomed by Phil, continually abrasive and macho, he feels a certain unspoken jealousy towards his brother. 

The dynamics at play between Plemmons, Dunst, Smit-McPhee and Cumberbatch are immeasurably fascinating, the latter delivers a towering performance as a cowboy hiding behind a costumed toxic masculinity. He mocks the overtly sensitive Peter, but his cruelty and violence hides deeper nuances behind the shield; a repressive nature that can only come in not feeling comfortable in one’s own skin.

Whatever threats of violence Campion keeps hinting at aren’t as important as the restraint she imbues in each meticulously delivered frame. Dunst, 39, delivers the best performance of her career. You can see the impact Phil has had on Rose’s mental health and well-being by purely staring at her anguished eyes. However, it’s Smit- McPhee who turns out to be Campion’s hidden ace. Tall and lanky, his Peter sees mom suffering under the matriarchal dictatorship as, at the same time, he sees Phil take him under his wings and try to teach him the cowboy ropes once taught to him by his deceased mentor Bronco Billy.

Johnny Greenwood’s eerie violin-led score adds much depth to this brooding, mesmerizing and masterful accomplishment. This may very well be the best movie of the year. A movie of the moment if there ever was one. [A-]

← ‘Belfast’: An odd Mix of ‘Roma’ and ‘Jojo Rabbit’ [TIFF]Venice: Audrey Diwan’s ‘Happening’ Wins Golden Lion →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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