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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Those Who Wish Me Dead’: Angelina Jolie Plays Heroic Firefighter in Violent Action-Adventure [Review]

May 13, 2021 Jordan Ruimy
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Angelina Jolie plays a firefighter dabbed in professional makeup in Taylor Sheridan’s “Those Who Wish Me Dead” (HBO Max, 05.12.21) a mid-budget, action adventure that’s the kind of release Hollywood used to churn out a dime-a-dozen back in the ’90s. In 2021, it plays in damn-near ridiculous (albeit entertaining) ways.

Written and directed by Sheridan, Jolie’s character, Hannah Faber, lives in an isolated lookout tower. She’s solemn, lonely and a tad-too-depressed. You see, she’s dealing with the aftermath of a containment operation gone awry, three kids she couldn’t rescue from the flames of a forrest fire died and she hasn’t been the same since, unable to shake off the fire images in her head.

On the other side of the aisle, in the big city, a forensic accountant, Owen (Jake Weber), uncovers a sleazy government cover-up. Sheridan spares us the details of the crime being exposed, and all the better for it since this is the kind of movie that benefits from just sticking to the nitty gritty. Regardless, our accountant brings along his teenage son Connor (Finn Little) for an escape route out of the city and into backwoods Montana where a local sheriff (Jon Bernthal) is contacted to help.

Father and son eventually learn that hit men (played by Nicholas Hoult and Aidan Gillen), have been hired to ice them. Seeking protection, the boy stumbles upon Hannah as she tries to shelter him from the devious men chasing them down. Hoult and Gillen’s characters are nastily rendered, they don’t have an inch of empathy in their bones, if push comes to shove they will kill a child.

We know what Hannah’s thinking is by helping Connor, this is her chance at redemption, to escape the mental anguish she’s been through. Of course, since Jolie is a firefighter, the inevitable has to happen, a forrest fire does occur in the predictably watchable climactic set-piece. Jolie’s tormented character is a little too much, the actress, although miscast on-paper, doesn’t do a bad job with her character, especially in the scenes involving the playful banter between Hannah and Connor, but there’s no dimensions to her role. We get what we see.

Familiar territory is treaded in this straightforward thriller, no bold filmmaking decisions are made, it’s the kind of meat and potatoes approach to filmmaking that isn’t necessarily unwelcome in this day and age of Marvel extravaganzas. Sheridan along with co-writers Charles Leavitt and Michael Koryta (whose novel is the source material) construct relatable characters, dryly funny dialogue and violent showdowns involving everything from an axe to a semi-automatic rifles.

Of course, if you expect a film at the level of Sheridan’s Oscar-nominated “Hell Or High Water” then think again. “Those Who Wish Me Dead” lacks the contemplative vibe of that neo-western, instead deciding to settle for comforting maudlin. This is more of a straightforward affair for Sheridan, one that still maintains his penchant for tackling law enforcement, and criminals in backwoods America. It’s also the kind of movie I imagine myself watching at a Saturday matinee and not necessarily feeling bad about it once the end credits start rolling.

SCORE: B-

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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