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Alma Har’el’s ‘Wet’ Acquired by Lionsgate: Starring Javier Bardem, Rebecca Ferguson, Connor Storrie, Odessa A’zion and Rosalia

It’s been seven years since Alma Har’el’s feature debut, “Honey Boy,” which was written by and starred Shia LaBeouf — she is now set to direct her next film, with a very talented cast.

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Quentin Tarantino Fired Isabelle Huppert From ‘Inglourious Basterds' for Skipping the Table Read

Imagine firing Isabelle Huppert from your movie. One of the great actresses of all time, the woman behind "The Piano Teacher," "La Cérémonie" and "Elle," dropped because she missed a table read.

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Park Chan-wook Says ‘The Brigands of Rattlecreek' is “Very Violent” and the “Most Brutal” Film He's Ever Made

Are we really that surprised? The original draft was written by S. Craig Zahler, the guy behind "Bone Tomahawk," "Brawl in Cell Block 99" and "Dragged Across Concrete."

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Francis Lawrence Calls James Gunn “An Impediment” to ‘Constantine 2,’ Says He's “More Hopeful" Now That They're Gone

James Gunn wrote on Instagram this week that he was "incredibly relieved" to be out at DC Studios. Turns out he's not the only one.

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Jim Caviezel Was “Heartbroken” When Mel Gibson Recast Jesus in ‘The Resurrection of the Christ'

For 20 years, the assumption was that whenever Mel Gibson got his "Passion of the Christ" sequel off the ground, Jim Caviezel would be front and center.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘A Quiet Place II’ Trailer: Was A Sequel Really Necessary?

May 6, 2021 Jordan Ruimy

“A Quiet Place” was a thrilling, near-silent film that brilliantly toyed with the audience’s nerves while deftly avoiding all the familiar clichés which come with the horror genre. Director John Krasinski showed surprisingly assured and suspenseful touches as a filmmaker – the film was impressively cinematic and a brilliantly constructed blend of sight and sound. 

Set in an aforementioned post-apocalyptic world, “A Quiet Place” had John Krasinski starring alongside his wife Emily Blunt as a couple with their two children (Cade Woodward, Millicent Simmonds) forced to live in a world of near-silence so as to not awaken the mysterious monsters roaming around the woods. Using sign language 24/7 as a means to silently communicate, the technique allowed the family to survive longer than their dearly departed neighbors. 

The minute-by-minutes detail in the mechanics of suspense was admirably Hitchcock-ian; Krasinski found ways to make every mute, subtitled interaction count. For a studio-financed endeavor, “A Quiet Place” felt damn-near experimental. And yet, here comes the inevitable sequel. Did we need one? The film did end on an ambiguous note, but I hate hate hate originally conceived box-office hits that decide to sequelize. “A Quiet Place” ended so perfectly that I cringe even watching this trailer. Let’s hope it doesn’t ruin the high of the original.

Here’s the official synopsis for “A Quiet Place Part II”:

Following the deadly events at home, the Abbott family (Emily Blunt, Millicent Simmonds, Noah Jupe) must now face the terrors of the outside world as they continue their fight for survival in silence. Forced to venture into the unknown, they quickly realize that the creatures that hunt by sound are not the only threats that lurk beyond the sand path.

← Woody Allen Confirms His Next Movie Will Be A Drama a la ‘Match Point’ and Set in ParisAbove Suspicion’: Emilia Clarke Plays A Southern Femme Fatale in Much-Delayed Thriller →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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