A curious paragraph appears, hidden deep inside a recent Variety piece, titled “Omicron is Here and Hollywood is Finally Taking Notice”
“Also in recent days, rumblings about two unvaccinated actresses has grown louder and more concerned — one up for Oscar contention in a prominent indie, the other the headliner of a December tentpole.”
Let the speculating begin …
“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.