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Zack Snyder Says He Still Hasn't Seen James Gunn's ‘Superman' — Months After Calling It “Amazing”

Earlier this year, Zack Snyder mentioned having seen James Gunn’s “Superman.” Heaping praise on it. Now he’s saying he actually hasn’t caught up with it yet?

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May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

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Cory Finley's 'Reasonable People,' Starring Paul Rudd and Sam Rockwell, Shoots This Fall

Cory Finley, a talented filmmaker, has directed three films so far: "Thoroughbreds" (2017), "Bad Education” (2020), and "Landscape with Invisible Hand.”

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Bassam Tariq Says Making ‘Blade' at Marvel Was ‘“a Different Thing”: “Somebody Else Is Running This”

Bassim Tariq was the first one in the chair. The "Mogul Mowgli" director spent two years building out the Mahershala Ali vehicle before exiting in 2022, and he's now letting the air out on this one.

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‘The Family Stone’ Sequel Greenlit at Searchlight, Fall Shoot, Reunites the Entire Cast — Except Diane Keaton

Claire Danes, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider, and Brian White will all be back.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘King Richard': Will Smith Serves Up an Ace in Conventional Sports Biopic [Review]

November 17, 2021 Jordan Ruimy

To be clear, just because I believe that '“King Richard” can win Best Picture doesn’t mean that it’s a deserved winner. Regardless, Marcus Reinald Green’s film is a wonderfully entertaining rags-to-riches sports biopic. It uses its 144 minute runtime to build up its characters and, by the end of it, you actually care about the fate of the characters. It’s not necessarily a work of art as much as a pleasurably well-made movie-movie.

Will Smith carries the film as Richard Williams, an undeterred father of five daughters, who raises his two most athletic children into playing the game of Tennis. Of course, we all know how this is going to end; Venus and Serena Williams would turn out to be two of the greatest female tennis players of all-time. What the film seems to be suggesting is that the brains behind the operation was always Richard. The Williams patriarch was driven by a clear vision of his daughter’s future, using a meticulous blueprint he created called “the plan.”

The Wiliams family lived in Compton, California and Green sets up his movie by showing just how rough and tough the neighbourhood was. Along with the occasional drive-by-shooting that would happen next door, Richard would sometimes get beaten up by gangs just to protect his daughters from hanging with the wrong crowd outside the tennis court. Of course, such a sympathetic portrait of Richard isn’t the full story. In “King Richard” we see some of this man’s flaws, but not enough. His temper isn’t as fiery as it was in real life. Ditto the abusive parenting. Any hints of his infidelity to wife Brandi (Aunjanue Ellis) is relegated to a single sentence subtly mentioning it in the screenplay.

Regardless, even if you don’t hear or see much about his past, Richard’s story is worth telling and Smith embodies the role with such authentic fervor. This is intensely disciplined acting from Smith, maybe not career best work (check out his “Ali” for that), but close to it. The 53-year-old actor has always proven that he’s a commendable actor, but not without choosing the wrong project time and time again. That changes with “King Richard.”

Smith’s Richard is a man humiliated by his past mistakes and not wanting that same fate to be thrown into his children’s hands. In one gruellingly emotional scene, Williams tells Venus about his own humiliations as a Black man growing up in the South and the physical violence he had to endure in the hands of the Ku Klux Klan.

When you have a film tackling the power of family, perseverance and unwavering belief as a means to achieve the impossible, then you will run into cliches and “King Richard,” for all its merits, is conventionally told. It’s a film that takes a familiar movie blueprint and runs with it. Zach Baylin’s script wouldn’t necessarily work without Green’s docu-realist direction, nor would it go anywhere without the immaculate performances. There’s Smith, but another standout is Jon Bernthal as Venus’ shrewd coach; bringing humor in his exasperatingly relentless arguments he gets into with Williams. Aunjanue Ellis has a few stunning scenes as well as Richard’s wife, Brandi.

Despite being overlong, with a tad too many obvious narrative choices, the film works best when its sole focus is Smith’s Richard. Contrary to some of his negative traits being hidden from the audience by the filmmakers, Williams’ fight against the white tennis establishment actually did happen and it’s a remarkable story that needed to be told. [B]

← ‘King Richard’ Wins Its Sixth Audience Award at Denver Film FestivalTodd Field's ‘Tar' Now Set For a 5-Month Shoot in Berlin →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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