• Home
  • Reviews
  • Interviews
  • Lists
    • Yearly Top Tens
    • Trailers
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
‘Sinners' Tops Critics Choice Awards With 17 Nominations
IMG_0995.jpeg
Box-Office: Critically Panned ‘Five Nights at Freddy’s 2’ Earns $7.5M in Previews — $50M Opening Expected
IMG_0993.jpeg
Sight and Sound’s Top 50 of 2025 Critics Poll Led by ‘One Battle,’ ‘Sinners,’ ‘The Mastermind’ and ‘Sirât’
IMG_0991.jpeg
Netflix Walks Back Promise, Says Warner Bros. Theatrical Windows Will “Evolve” to Be Shorter and More “Consumer Friendly”
IMG_0989.jpeg
BREAKING: Netflix Is Buying Warner Bros. and HBO Max
Featured
Capture.PNG
Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

World of Reel

  • Home
  • Reviews
  • Interviews
  • Lists
  • More
    • Yearly Top Tens
    • Trailers

Del Toro Has Spoken

October 24, 2021 Jordan Ruimy
2B11F1F8-2B6D-4103-ABB8-D696F640C1E3.jpeg

It’s nice to see Guillermo del Toro giving his stamp of approval to Ridley Scott’s already under-appreciated “The Last Duel.” I still stand by my belief that if enough Oscar voters watch this movie then Ben Affleck, Jodie Comer and the film itself have a chance at getting nominated.

The film is, sadly, a box-office bomb having amassed only $11.3 million domestically on a $100 million budget. On Rotten Tomatoes it has an 85% fresh score and a subpar 67 on Metacritic. The experts over at Gold Derby have it ranked 20th amongst the Best Picture Oscar contenders. I have it ranked 10th.

”The Last Duel” is one of the better Ridley Scott movies since his 2000 Oscar-winner “Gladiator.” His best movies since then have been “Black Hawk Down,” “Matchstick Men,” “Kingdom of Heaven (director’s cut) “American Gangster,” “Prometheus” and now “The Last Duel.”

Why am I supporting this movie so damn much? My allegiance to ‘Duel’ isn’t all-out praise (I gave it B/B+), it also stems from these kind of old-fashioned epics being a dying breed in Hollywood. The fact that it isn’t doing well either at the box-office only reinforces the inevitable extinction of the genre.

← ‘Passing’: Rebecca Hall’s Bold Directorial Debut Tackles Race and Sexuality in 1920s New York [Review]‘Dune’ Headed Towards $38 Million Opening Weekend →

FOLLOW US!


Trending

Featured
IMG_0351.webp
Josh Safdie’s ‘Marty Supreme’ is One of the Best Films of the Year — Timothée Chalamet Has Never Been Better
IMG_0815.jpeg
Six-Minute Prologue of Christopher Nolan’s ‘The Odyssey’ Coming to Select IMAX 70mm Screenings December 12
IMG_0711.jpeg
James Cameron: Netflix Movies Shouldn’t Be Eligible for Oscars
IMG_0685.jpeg
Brady Corbet Confirms Untitled 4-Hour Western Will Be X-Rated, Shot in 70mm, Filming Next Summer

Critics Polls

Featured
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
Capture.PNG
Critics Poll: ‘The Godfather’ Named Best Movie of the 1970s
public.jpeg
Critics Poll: ‘Do the Right Thing' Named Best Movie of the 1980s
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025