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Hoyte van Hoytema to DP Luca Guadagnino’s ‘American Psycho — Mid-2026 Shoot Eyed? No Actor Yet Attached to Play Patrick Bateman
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Del Toro Has Spoken

October 24, 2021 Jordan Ruimy
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It’s nice to see Guillermo del Toro giving his stamp of approval to Ridley Scott’s already under-appreciated “The Last Duel.” I still stand by my belief that if enough Oscar voters watch this movie then Ben Affleck, Jodie Comer and the film itself have a chance at getting nominated.

The film is, sadly, a box-office bomb having amassed only $11.3 million domestically on a $100 million budget. On Rotten Tomatoes it has an 85% fresh score and a subpar 67 on Metacritic. The experts over at Gold Derby have it ranked 20th amongst the Best Picture Oscar contenders. I have it ranked 10th.

”The Last Duel” is one of the better Ridley Scott movies since his 2000 Oscar-winner “Gladiator.” His best movies since then have been “Black Hawk Down,” “Matchstick Men,” “Kingdom of Heaven (director’s cut) “American Gangster,” “Prometheus” and now “The Last Duel.”

Why am I supporting this movie so damn much? My allegiance to ‘Duel’ isn’t all-out praise (I gave it B/B+), it also stems from these kind of old-fashioned epics being a dying breed in Hollywood. The fact that it isn’t doing well either at the box-office only reinforces the inevitable extinction of the genre.

← ‘Passing’: Rebecca Hall’s Bold Directorial Debut Tackles Race and Sexuality in 1920s New York [Review]‘Dune’ Headed Towards $38 Million Opening Weekend →

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