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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Happening’: Audrey Diwan’s Golden Lion Winner is a Stunning Achievement

October 30, 2021 Jordan Ruimy
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French-Lebanese filmmaker Audrey Diwan’s sophomore feature won the top prize at Venice in September. Diwan and Marcia Romano adapted Annie Ernaux’s autobiographical novel, and the results are stunning. A minimalist vision of a France from not-too-long-ago when women’s rights were actually limited.

The film stars French-Romanian actress Anamaria Vartolomei as Anne, a university student in 1963 France who cannot seem to find her way in a sexist bureaucracy to terminate her pregnancy. This is an uncomfortable watch and all the more for the fact that Diwan refuses to hold back on the explicit details.

There’s a memorable scene where one of Anne’s friends teaches her how to masturbate with a pillow at their dorm room, she’s not sure what an orgasm is, but tells her to continue grinding on the pillow until she feels a release. The sexual revolution would be only a few years away, but it wouldn’t arrive on time for the main characters to break free from the social constraints, this is one moment when they do.

The French social-realism is accentuated by incredible period detail courtesy of production designer Dièné Bérété‘s luscious early ‘60s garb and the absorbing setting. However, it’s Vartolomei we remember most. The suffering in her eyes, the desperation in her tonal delivery, it’s the kind of breakout performance that could turn her into a major star.

The box aspect ratio Diwan uses here enhances the claustrophobic nature of Anne’s plight in such tense ways. There’s no time for speechifying in hers and Romano’s screenplay, she doesn’t judge anyone, just let’s the action play out, especially in the earth-shattering final 20 minutes. There aren’t many films where I was tempted to look away at the screen for a few seconds, but this one definitely has these moments.

The “abortion drama” is very much now an arthouse genre in itself, but only a handful of films have truly stuck out; “4 Months, 3 Weeks and Two Days,” “Never Rarely Sometimes Always” and “Vera Drake” are the essentials. You can add “Happening to that shortlist this instance. It’s a small-scaled masterwork.

IFC Films and FilmNation recently won the bidding war for the rights to distribute the film in the U.S. Expect a bow at Sundance in January and a first quarter release in 2022.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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