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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Happening’: Audrey Diwan’s Golden Lion Winner is a Stunning Achievement

October 30, 2021 Jordan Ruimy
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French-Lebanese filmmaker Audrey Diwan’s sophomore feature won the top prize at Venice in September. Diwan and Marcia Romano adapted Annie Ernaux’s autobiographical novel, and the results are stunning. A minimalist vision of a France from not-too-long-ago when women’s rights were actually limited.

The film stars French-Romanian actress Anamaria Vartolomei as Anne, a university student in 1963 France who cannot seem to find her way in a sexist bureaucracy to terminate her pregnancy. This is an uncomfortable watch and all the more for the fact that Diwan refuses to hold back on the explicit details.

There’s a memorable scene where one of Anne’s friends teaches her how to masturbate with a pillow at their dorm room, she’s not sure what an orgasm is, but tells her to continue grinding on the pillow until she feels a release. The sexual revolution would be only a few years away, but it wouldn’t arrive on time for the main characters to break free from the social constraints, this is one moment when they do.

The French social-realism is accentuated by incredible period detail courtesy of production designer Dièné Bérété‘s luscious early ‘60s garb and the absorbing setting. However, it’s Vartolomei we remember most. The suffering in her eyes, the desperation in her tonal delivery, it’s the kind of breakout performance that could turn her into a major star.

The box aspect ratio Diwan uses here enhances the claustrophobic nature of Anne’s plight in such tense ways. There’s no time for speechifying in hers and Romano’s screenplay, she doesn’t judge anyone, just let’s the action play out, especially in the earth-shattering final 20 minutes. There aren’t many films where I was tempted to look away at the screen for a few seconds, but this one definitely has these moments.

The “abortion drama” is very much now an arthouse genre in itself, but only a handful of films have truly stuck out; “4 Months, 3 Weeks and Two Days,” “Never Rarely Sometimes Always” and “Vera Drake” are the essentials. You can add “Happening to that shortlist this instance. It’s a small-scaled masterwork.

IFC Films and FilmNation recently won the bidding war for the rights to distribute the film in the U.S. Expect a bow at Sundance in January and a first quarter release in 2022.

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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