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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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‘Primetime’: Robert Pattinson Delivers in Entertaining, Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

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Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

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Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Kate Winslet: “What the F*** Was I Thinking Working With Woody Allen and Roman Polanski?"

September 10, 2020 Jordan Ruimy

You can tell Oscar season is upon us.

Kate Winslet has pulled a Timothee Chalamet and thrown Woody Allen and Roman Polanski under the bus, cleansing herself from past “sins.” She now again has a “clean” slate according to the Twiteratti wokesters and now has a path for the Academy to safely, without any backlash, nominate her much-buzzed performance in the upcoming “Ammonite.” Good God, Kate.

Vanity Fair‘s Julie Miller has Winslet’s exact quote as going: “It’s like, what the fuck was I doing working with Woody Allen and Roman Polanski? It’s unbelievable to me now how those men were held in such high regard, so widely in the film industry and for as long as they were. It’s fucking disgraceful.

“And I have to take responsibility for the fact that I worked with them both. I can’t turn back the clock. I’m grappling with those regrets but what do we have if we aren’t able to just be fucking truthful about all of it?”

Winslet worked with Polanski in 2011’s “Carnage,” and Allen in 2017’s “Wonder Wheel.”

Winslet has suddenly, calculatingly, decided that it isn’t cool to have had a past with these two directors because, apparently, her #MeToo convictions are just too strong now. This is maddening. Disgraceful. A rewriting of film history by way of peer pressure.

Is this an attempt by Winslet to revive what is a career-crushing choice of roles in the last decade? What else would you call a 10-year span that included duds such as “Labor Day,” “Divergent,” “Insurgent,” “A Little Chaos,” “The Dressmaker,” “Collateral Beauty,” “The Mountain Between Us,” and “Blackbird”? "With “Ammonite,” the 44-year-old actress has a shot at gaining back some kind of relevance and that means it’s time to atone for past sins.

I’m not going to get into the Polanski story because it has way too many layers and a case could be made for both sides. But, as for Woody Allen, I’ve written extensively about the Mia Farrow/Ronan Farrow smear campaign that was created to destroy his career, taking advantage of a #MeToo movement which was heating up in the fall of 2017. You can read my write-up, The Case for Woody Allen's Innocence, for all the facts that relate to this case. I have nothing more to add, the proof is in the pudding. Winslet should hang her head down in shame for what she said today.

← ‘Nomadland' Chloe Zhao's Docu-Fiction Venice Winner [TIFF Review] ‘Rifkin's Festival': Despite U.S. Blacklist, Woody Allen is Still Making Movies [Trailer] →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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