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‘Primetime’: Robert Pattinson Delivers in Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

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Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

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Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

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Elliot Page Has Not Gotten Any Acting Offers Since ‘The Odyssey’: “If Someone Wants to Call Me ..."

When asked if “The Odyssey” had led to “getting a zillion calls” for new roles, the Oscar nominee revealed that work has been slow, despite now being able to “do some of my best work.”

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‘Onslaught’ Bombs With Audiences, Earns a “C” CinemaScore as Adam Wingard Returns to His Indie Roots

Adam Wingard’s “Onslaught,” which hit theaters yesterday, has not been getting the best reviews, as it currently sits at 57% on Rotten Tomatoes, and its box office numbers are looking pretty grim.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Live-Action ‘Mulan' Remake is Another CCP-Approved Disney Cash Grab [Review]

September 6, 2020 Jordan Ruimy

“Mulan” the glossy live-action Disney remake of the 1998 animated film is disastrous from start to finish.

By now you must know how the story goes; A fearless young woman named Fa Mulan tries to prevent her sick father from serving in the Imperial Army, stealing his sword and armor and disguising herself as a man by battling Northern invaders in China. Mulan is played by Liu Yifei, a competent actress who, earlier in the year, caused controversy by voicing discontent towards Hong Kong protesters. This has led to boycott calls of the film.

Putting all politics aside, the film itself, directed by Niki Caro (“North Country”), is bungled. The action scenes are atrocious, thanks to its confusing direction, not to mention the fact that it heavily steals its choreography from more exciting martial arts films. It also has some of the worst editing of the year. The frenetic and unnecessary snips and cuts, courtesy of David Coulson, are relentless. The PG-13 rating is pushed to the limit via intense hand-and-sword combat — one particular scene involving barbarians attacking towns along the Silk Road is brutal, despite no actual blood being shown. Too bad Coulson confuses the rhytmn by perfoming cuts every few seconds.

The rushed, and uncaring nature of Mulan 2020 shouldn’t be surprising, as it almost completely ignores the charms of the original material. Caro and Disney have decided to change the villains in this version —the Hun warlord Shan Yu has been replaced by two antagonoists in the live-action version: Jason Scott Lee's Bori Khan and Gong Li as the shape-shifting witch Xian Lang. Both underwhelming. Gone is any of the charm or fun that Eddie Muprhy brought to his guardian dragon Mushu. In Caro’s film, Mushu is nowhere to be found and Mulan is instead guarded by a phoenix (who doesn't talk). All of this while the Chinese actors speak their parts in English, which renders the whole thing as inauthentic and charmless as you might expect from a mass-marketed remake such as this one.

Speaking about mass consumerism, “Mulan” was set to be released in theaters back in March only to be delayed due to the COVID-19 pandemic and is now being sent straight to Disney+ for an additional $30 fee. However, Chinese audiences will be able to watch “Mulan” on the big screen — the film was built for the Orient demographic, itt looks like something the Chinese movie industry would conjure up with the approval and help of the Chinese Communist Party. Safe, politically benign entertainment that has all the restrictive creative hallmarks to get the full approval from President Xi. [C]

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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