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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Onward' is Tops With $40 Million Debut; Ben Affleck-Led ‘The Way Back' Opens at #3

March 8, 2020 Theo Fisher

Disney and Pixar’s latest original “Onward” delivered solidly if a bit below expectations amid Coronavirus concerns, as “The Invisible Man” holds strong.

“Onward,” Pixar’s return to the original story managed around a $40M debut domestically, as it appears to have delivered on the lower side of expectations despite highly positive critical and audience scores (96% audience score on Rotten Tomatoes). To compare it to Pixar’s last large original outing, 2017’s “Coco” debuted to around $72M. However, it was a thanksgiving release. Internationally, the medieval fantasy animation starring Chris Pratt and Tom Holland brought in $28M, giving it around a $70M start, no doubt lower than Pixar would like but not a disastrous start for Disney.

Dropping down to second place after one week at the top is Universal and Blumhouse’s “The Invisible Man”. The highly successful horror/thriller managed $15.1M in its second weekend, bringing its domestic total to around $52M, whilst internationally the film added $17.3M lifting its overall global tally to nearly $100M off a measly $7M budget. Another win for Jason Blum.

In third this week is another new release, Warner Bros’ Ben Affleck starring “The Way Back”. Debuting to solid reviews and off of a $20M budget, the film managed a very solid $8.5M domestic and around $640K from 14 international markets. However, next weekend the film will open in key overseas markets including the UK throughout April.

Behind Warner’s film is Paramount’s video game phenomenon “Sonic the Hedgehog” which mustered $8M for a domestic total of $140M, whilst another $412M internationally sees the film pushing $300M worldwide.

At the bottom of the top five this week is 20th Century’s “The Call of the Wild” which brought in $7M domestically to lift its disappointing total to north of $50M, whilst thanks to another $4.8M internationally, the film will finally pass $100M next weekend.

Elsewhere, just missing out on the top five is Focus’ “Emma” starring Anya Taylor-Joy which managed $5M in its first weekend of wide release, whilst Sony are the first studio this year to have a $200M domestic grosser as their all-conquering sequel “Bad Boys for Life” passed the landmark. The films global tally is now over $400M.

The most notable limited release saw Kelly Reichardt’s latest film, the incredibly well-received “First Cow” take $96K from four locations.

Next weekend sees Universal finally releasing“The Hunt” after pulling the release last year following backlash against the film’s trailer and story. Elsewhere “I Still Believe” from Lionsgate will also debut, alongside Sony’s Vin Diesel and Guy Pearce starring “Bloodshot”.

  1. Onward – $40M (Debut)

  2. The Invisible Man – $15M

  3. The Way Back – $8.5M (Debut)

  4. Sonic the Hedgehog – $8M

  5. The Call of the Wild – $7M

  6. Emma – $5M

  7. Bad Boys for Life – $3M

  8. Birds of Prey – $2.2M

  9. My Hero Academia: Heroes Rising – $1.5M

  10. 1917 – $1.4M

Tags box-office, onward
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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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