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Werner Herzog's ‘Grizzly Man' Joins the Criterion Collection — Plus ‘The English Patient,’ ‘Nashville' and ‘Shop Around the Corner’

Criterion's December lineup has some great additions to the library, but the title that jumped out at me is Werner Herzog's "Grizzly Man," which officially joins the Collection on December 8.

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Robert De Niro to Play Tommy Lasorda in Reid Carolin's ‘Tommy & Me'

De Niro is in talks to play legendary Los Angeles Dodgers manager Tommy Lasorda in “Tommy & Me,” a sports drama Reid Carolin will direct for Skydance Sports.

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Quentin Tarantino to Publish ‘The Adventures of Cliff Booth' Novel, Out December 8

The book is titled "The Adventures of Cliff Booth," which, if you've been following along, was the original title of Fincher's film before it was renamed "The Further Mis-Adventures of Cliff Booth."

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Zack Snyder Says the ‘Last Photograph' Negative Reviews Were “100%” About Him and Not the Movie

Zack Snyder woke up in Toronto the morning after his premiere and did the one thing no filmmaker should ever do the morning after: he opened X.

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‘The Life and Deaths of Wilson Shedd': Amanda Seyfried and Scoot McNairy Power Tim Blake Nelson's Best Film Since ‘The Grey Zone' [TIFF]

Tim Blake Nelson has been making films for thirty years and hasn't directed a narrative feature in more than ten. "The Life and Deaths of Wilson Shedd," is the best thing he's done since "The Grey Zone.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Onward' is Tops With $40 Million Debut; Ben Affleck-Led ‘The Way Back' Opens at #3

March 8, 2020 Theo Fisher

Disney and Pixar’s latest original “Onward” delivered solidly if a bit below expectations amid Coronavirus concerns, as “The Invisible Man” holds strong.

“Onward,” Pixar’s return to the original story managed around a $40M debut domestically, as it appears to have delivered on the lower side of expectations despite highly positive critical and audience scores (96% audience score on Rotten Tomatoes). To compare it to Pixar’s last large original outing, 2017’s “Coco” debuted to around $72M. However, it was a thanksgiving release. Internationally, the medieval fantasy animation starring Chris Pratt and Tom Holland brought in $28M, giving it around a $70M start, no doubt lower than Pixar would like but not a disastrous start for Disney.

Dropping down to second place after one week at the top is Universal and Blumhouse’s “The Invisible Man”. The highly successful horror/thriller managed $15.1M in its second weekend, bringing its domestic total to around $52M, whilst internationally the film added $17.3M lifting its overall global tally to nearly $100M off a measly $7M budget. Another win for Jason Blum.

In third this week is another new release, Warner Bros’ Ben Affleck starring “The Way Back”. Debuting to solid reviews and off of a $20M budget, the film managed a very solid $8.5M domestic and around $640K from 14 international markets. However, next weekend the film will open in key overseas markets including the UK throughout April.

Behind Warner’s film is Paramount’s video game phenomenon “Sonic the Hedgehog” which mustered $8M for a domestic total of $140M, whilst another $412M internationally sees the film pushing $300M worldwide.

At the bottom of the top five this week is 20th Century’s “The Call of the Wild” which brought in $7M domestically to lift its disappointing total to north of $50M, whilst thanks to another $4.8M internationally, the film will finally pass $100M next weekend.

Elsewhere, just missing out on the top five is Focus’ “Emma” starring Anya Taylor-Joy which managed $5M in its first weekend of wide release, whilst Sony are the first studio this year to have a $200M domestic grosser as their all-conquering sequel “Bad Boys for Life” passed the landmark. The films global tally is now over $400M.

The most notable limited release saw Kelly Reichardt’s latest film, the incredibly well-received “First Cow” take $96K from four locations.

Next weekend sees Universal finally releasing“The Hunt” after pulling the release last year following backlash against the film’s trailer and story. Elsewhere “I Still Believe” from Lionsgate will also debut, alongside Sony’s Vin Diesel and Guy Pearce starring “Bloodshot”.

  1. Onward – $40M (Debut)

  2. The Invisible Man – $15M

  3. The Way Back – $8.5M (Debut)

  4. Sonic the Hedgehog – $8M

  5. The Call of the Wild – $7M

  6. Emma – $5M

  7. Bad Boys for Life – $3M

  8. Birds of Prey – $2.2M

  9. My Hero Academia: Heroes Rising – $1.5M

  10. 1917 – $1.4M

Tags box-office, onward
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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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