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Linus Sandgren to DP Shawn Levy's ‘Ghost Rider' on Film — Connor Storrie in Talks to Co-Star

Marvel's "Ghost Rider" just hired one of the best cinematographers working today. Linus Sandgren will serve as DP on Shawn Levy's MCU flick, and, most notably, the project will be shot on film.

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‘One of Them Days’ Filmmaker Lawrence Lamont to Direct Ice Cube-Penned ‘Last Friday’ Sequel

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‘Coyote vs. Acme' Ruled Eligible for Best Animated Feature Oscar — Crashes the Race Against ‘Wildwood’ and ‘Toy Story 5’

Should "Coyote vs. Acme" even be considered an animated film? The Academy requires animation to cover 75% of a film's runtime, and somehow this movie cleared that bar.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Zombi Child': Director Bertrand Bonello Tackles Voodoo and Coming-of-Age [Review]

January 23, 2020 Jordan Ruimy

Last summer at Cannes, it seemed like we just couldn’t get away from all the zombies and genre cinema splattered on-screen. From Jim Jarmusch’s deadpan “The Dead Don’t Die,” to Mati Diop’s artful “Atlantics,” you couldn’t escape the living dead on the croisette. Bertrand Bonello’s Zombi Child, which played in the director’s fortnight sidebar, is a zombie movie, but one filled with dangerously spiritual voodoo. Bonello’s ambitious, but complicated film is split into two back-and-forth settings: 1960s Haiti, where a man (Mackenson Bijou) dies and is resurrected into hardcore slavery on a sugar plantation; and present day Paris, as Haitian teenager, Mélissa (Wislanda Louimat), a new student at an all-girls private school, is quickly taken in by a secretive sorority of white girls.

Bonello’s mixing of genres, coming-of-age, romance, supernatural and horror, makes it difficult for the viewer to truly be sucked into Bonello’s phantasmagoric world. The director’s last film, the excellent “Nocturama,” worked at a higher level because it delved into a fully lived-in but simple and accessible setting, a shopping mall.

Bonello’s message in “Zombi Child” seems to be about cultural appropriation, one mixed in with Mélissa’s white, lovesick classmate (Louise Labeque). The first-world views that arise from the white-collar students in the film seem like a distant, but honest reflection of the current French zeitgeist, one in which the Haitian population is ever-so-growing but lacks the desire of conforming to the French white way of thinking. The dramatic and cultural conflicts, however, are only teased upon by Bonello here. We get it, there are unconscious biases with us white folks but it ends with a climax that’s more exposition than satisfying resolution.  

The entire film feels coalesced in a way that feels both messy and uninvolving. It feel like a rather strange brew of things, but it never resorts to finding its own identity within that convoluted mix. [C-]

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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