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Michael Keaton and Morgan Freeman Western ‘Rode to Ruin’ Lands at Angel Studios for 2027 Release

The movie, due to release in 2027, is described as “a haunting Western thriller that follows a retired U.S. Marshal whose forty-year search for his wife’s killer leads him to an outlaw losing his memory.

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‘Alpha Gang’ First Look: Cate Blanchett Leads the Zellners’ Bizarre 1950s Alien Biker Gang

Alongside Blanchett, the film features a wildly eclectic ensemble including Dave Bautista, Lily-Rose Depp, Riley Keough, Léa Seydoux, Kelvin Harrison Jr. and Chris Pine

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‘Dungeons & Dragons 2’ Is Being Shopped to Other Studios After Paramount Passed on the Sequel

The film grossed only $205M against a $150M budget, losing Paramount a significant amount of money. It did, however, gain a decent following on streaming, but the financial risk for a sequel is ever-present.

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Did Danny Boyle’s ‘Ink’ Use AI to Recreate Margaret Thatcher?

Thatcher shows up on-screen for, at most, 10 seconds. She looks remarkably like Thatcher and comes off as almost too polished, non-human like. Further clues are pointing at AI.

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Vin Diesel Now Teasing He Might Direct ‘Fast Forever’

Ah, yes — the neverending saga of the next ‘Fast & Furious’ movie, which has been plagued by delays, and Universal demanding Vin Diesel cut the budget by almost $150M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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M. Night Shyamalan to Direct Two New Thrillers for Universal

September 16, 2019 Jordan Ruimy

I am not in the least bit surprised by today’s news that Universal has decided to contract M. Night Shyamalan for two new untitled thrillers that will be released in 2021 and 2023, respectively. There’s no word on what the plot of the films might be. However, I am hopeful that this second chance comeback from the writer-director will yield some fruitful results and return him to the glory days of his first two films … or things could get out-of-hand again and Shyamalan’s cinematic ego could result in Lady in the Water 2.0.

“There are wonderful studios out there, but Universal has made it a mandate to release original films,” Shyamalan stated today about the new deal. “They are the best at finding an audience for new stories with unexpected tones. I believe original films are crucial to the longevity of the theatrical experience. I am so excited to be working with them again and bringing new stories to the movie screen for years to come.”

“M. Night Shyamalan continues to create exciting, highly original stories that keep global audiences on the edge of their seats,” said Peter Cramer, President, Universal Pictures. “There is no one like him: he is a master filmmaker working at the height of his powers, and we are honored that he has once again chosen Universal to be the home for his next two incredible projects.”

You can hate on the guy all you want, but, at some point, M. Night Shyamalan was known as the director that gave us "The Sixth Sense" and "Unbreakable." As far as I'm concerned, those two films justify his existence in the cinematic spectrum. "The Village" and "Signs" weren't half-bad either. Of course, following those two films, we received the sorely misbegotten "Lady in the Water," "The Happening," "After Earth," and "The Last Airbender" four unwatchable projects that signaled, maybe, the end of his projected tenure as the heir of Hitchcock/Spielberg . 

These films greatly affected the latter part of his moviemaking career and enhanced his potential as a has-been filmmaker. Why would a studio trust him with a big project ever again? However, all of this seemed to have sparked a fresh new creative freedom in the director that none of us saw coming. He made his most "watchable" film in quite some time with 2015's low-budget creepfest "The Visit," a film that could scare you and, at the same time, have you chuckling to no ends, it was a successful venture into original genre filmmaking.  The real comeback, however, came three yeas ago with "Split" which had James McAvoy playing a man with dissociative identity disorder, he had 23 personalities with his body chemistry making him switch, at any moment, to another identity. In "Split" this deranged man ended up kidnapping three women (Anya Taylor-Joy, Betty Buckley, Jessica Sula, Haley Lu Richardson) and taking them hostage at his labyrinthine home. Its sequel “Glass,” although it garnered mixed reviews, was a box-office hit and announced a new phase for the 47-year-old old director. 

Tags Shyamalan, Universal, New movie
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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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