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James Gunn Is Already Writing His Next DC Movie — It Might Be ‘Superman 3’

The man doesn't stop. James Gunn has confirmed he's already hard at work writing his next film, even as ‘Man of Tomorrow’ makes its way toward theaters next summer.

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Michael Mann’s ‘Miami Vice' Director's Final Cut Divides Fest Audiences With Polarizing New Ending

Mann brought his new "Director's Final Cut" to Beyond Fest in L.A. last night. Mann stayed for a Q&A afterward. Suffice it to say, the cut certainly has people talking, and mostly not in a good way.

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‘Digger' Bombs With $8M; Misunderstood or Insufferable? Post Your Review!

Welcome to the “Digger” megathread, where you can post your review of the movie in the comments below. I’ll try to keep this post up over the weekend as our readers catch up with Iñárritu’s $180M oddity.

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Stephen Colbert's ‘Lord of the Rings' Movie Paused by David Ellison After Paramount–Warner Bros. Merger

Bad news, Stephen. Your archnemesis has struck again. Ellison has hit pause on Colbert's LOTR movie. The film was originally rumored to begin shooting shortly after ‘The Hunt for Gollum.’

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‘A Statement’ First Reviews: Tom McCarthy’s Return After ‘Stillwater’ Gets a Mixed Reception

“A Statement” stars Paul Rudd, Paul Giamatti, Amy Ryan, John Turturro, Jason Clarke, Dylan Baker, and Tatiana Maslany. The film marks the return of Tom McCarthy, a filmmaker we haven’t heard from in a while.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Roman Polanski's ‘An Officer and a Spy' Praised by Europeans, but Scolded by U.S. Critics

August 31, 2019 Jordan Ruimy

Roman Polanski’s “An Officer and a Spy” drew the ire of American critics this past Friday at its Venice premiere.

“An Officer and a Spy” tells the true story of the Captain Dreyfus case, an embarrassment of justice that shook France to its core. Dreyfus, who was given the death penalty due to the supposed “crimes” he was accused of, was actually an innocent man. As mentioned here months ago, the film is Polanski trying to make parallels between the innocent man and himself, which has not pleased the #MeToo movement’s most vocal backers.

The 86-year-old, a fugitive from the US since he was convicted for the statutory rape of a 13-year-old in 1978, seems to have decided to tell a story that he wants to purposely parallel with his own troubles with the law.

French, Spanish and Italian reviews were favorable to Poalnski’s film, but the U.S. trades, of course, didn’t like it. No surprise. THR called it “a beautifully told story that feels a bit soulless,” whereas Variety film critic Owen Gleiberman described “An Officer and A Spy” as “obscene,” adding that the film is “grandly mounted” but “still feels lacking, maybe because Polanski thinks it’s about him.” Gleiberman went to say that “the first half of the movie sucks you right in, but after a while it starts to play like the dramatized version of a Wikipedia entry.”

IndieWire’s David Ehrlich also hated the movie [review]

However, The Guardian’s Xan Brooks raved about the film, calling it “handsome and involving,’ Whereas, Screendaily wrote “Polanski’s intelligent, unfussy approach constantly elevates the straightforward treatment.”

There is currently no release date for Polanski’s film in the U.S. but on the European side it has been bought for a slew of markets which include France, Spain, Sweden, Poland, and Italy.

Polanski’s victim Samantha Geimer has said she has forgiven Polanski and accepted a private apology. She has also mentioned that the Academy banning him is an “ugly and cruel" act, and that Hollywood elites are ‘douchebags'

Geimer tweeted just yesterday about the Venice backlash on Polanski:

No, it's not the perfect headline. Using my assault as a teenager 42 YEARS ago, failing to mention the judicial misconduct that has left me to deal with these vulgar tweets, and then using me shit on a man who should be allowed to do his work, is not perfect, it is abusive to ME https://t.co/IDdj8U0fQW

— Samantha Jane Geimer (@sjgeimer) August 31, 2019
← Telluride Film Festival Recap [Updated]First ‘Joker’ Reactions are Love/Hate but There's Across-the-Board Praise For Joaquin Phoenix’s Performance →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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