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‘Sinners' Tops Critics Choice Awards With 17 Nominations
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Box-Office: Critically Panned ‘Five Nights at Freddy’s 2’ Earns $7.5M in Previews — $50M Opening Expected
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Sight and Sound’s Top 50 of 2025 Critics Poll Led by ‘One Battle,’ ‘Sinners,’ ‘The Mastermind’ and ‘Sirât’
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Netflix Walks Back Promise, Says Warner Bros. Theatrical Windows Will “Evolve” to Be Shorter and More “Consumer Friendly”
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BREAKING: Netflix Is Buying Warner Bros. and HBO Max
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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‘The Lighthouse’ First Trailer: Robert Pattinson and Willem Dafoe's Psychodrama is Brilliantly Debauched

July 30, 2019 Jordan Ruimy

I saw Robert Eggers‘ “The Lighthouse” at Cannes, a slow-building tale of the sea and madhouse isolation; it is a tale filled with booze, demons and the nightmares that come in feeling so alone and vulnerable as a man.  Robert Pattinson is, as usual great, but I wouldn’t call this his best performance; Essential and peak Patttinson is still his turn in The Safdies’ “Good Time.” The real reason to watch this is for Eggers’ astute and deeply folklore-indebted stylings and, of course, the madman-esque performance from Willem Dafoe as the old bearded sea dog.

From my Cannes review titled ‘The Lighthouse' Review: Sophomore Effort Proves ‘The Witch' Director Robert Eggers is the Real Deal:

“Much like “The Witch,” this sophomore endeavor from Eggers is about characters threatened by invisible forces. It may not necessarily be as bold a narrative as its predecessor, but it almost makes up for it with the kind of imagery, courtesy of “The Witch” cinematographer Jarin Blaschke, that is heavily indebted in 19th century folklore — a 35mm black and white nightmare, if you will”

A24 will release “The Lighthouse” on Friday, October 18th 2019.

← Luca Gudagnino Slowly Losing His Cinematic Identity; To Direct ‘Lord of the Flies' Adaptation?Noah Baumbach’s ‘Marriage Story’ Selected as 2019 New York Film Festival Centerpiece Film →

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