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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Abdellatif Kechiche Claims Accusations Are Part of a “Conspiracy" Concocted by Media and French Actresses

July 2, 2019 Jordan Ruimy

Well, the likelihood of cinephiles actually getting a chance to see Abdelatif Kechiche’s controversial Cannes entry, “Mektoub, My Love: Intermezzo,” is getting slimmer by the day. There were various accusations that Kechiche was subjected to after the screening at last month’s Cannes. Specifically, an anonymous source telling the pages of French publication Midi Libre that the director purposely inebriated his actress Ophélie Bau in order for her to perform a non-simulated sex scene. There was also, supposedly, a very awkward photocall between actress and director during the premiere of the film at the Palais des Festivals. Kechiche was even seen exiting the theater when the screening started, probably not wanting to sit next to his cast.

Kechiche has now released a statement about the drama surrounding “Mektoub My Love: Intermezzo.” [via Les Inrok] In a public letter addressed to Bau’s agent, Kechiche claims to be the victim of a conspiracy orchestrated by the French media and the agents of other actresses who have worked with him in the past (Sara Forestier, Hafsia Herzi, Léa Seydoux, and Adèle Exarchopoulos); he says their sole purpose is to destroy his career. He also claims that Ophélie was more than happy to take the role and show her body in all it’s beauty, and that she specifically requested a change in actors for the cunnilingus scene in order to perform it with her boyfriend. He concludes the letter by inviting her into the editing room to suggest any changes that she would like to be made to the scene.

Suffice to say, given the current climate, this film seems DOA at the moment.

If you remember, Kechiche’s Palme d’Or winning “Blue is the Warmest Color” had a similar controversy back in 2013 when its stars, Léa Seydoux and Adèle Exarchopoulos, accused the director of taking advantage of them on-set, both describing the experience as "horrible," and vowing to never work with him again. The whole controversy stems from the actresses admitting that they felt “forced” to perform the, now infamous, 13 minute graphic sex-scene.

In an interview in January 2014, Seydoux decided to tame down the controversy by stating: "I'm still very happy with this film. It was hard to film it and maybe people think I was complaining and being spoilt, but that's not it. I just said it was hard. The truth is it was extremely hard but that's OK. I don't mind that it was hard. I like to be tested. Life is much harder. He's a very honest director and I love his cinema. I really like him as a director. The way he treats us? So what!"

← Flash Movie Hires ‘It’ Director Andy MuschiettiQuentin Tarantino Keeps Insisting He’s Only Making One More Movie After ‘Once Upon a Time’ →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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