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May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

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Cory Finley's 'Reasonable People,' Starring Paul Rudd and Sam Rockwell, Shoots This Fall

Cory Finley, a talented filmmaker, has directed three films so far: "Thoroughbreds" (2017), "Bad Education” (2020), and "Landscape with Invisible Hand.”

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Bassam Tariq Says Making ‘Blade' at Marvel Was ‘“a Different Thing”: “Somebody Else Is Running This”

Bassim Tariq was the first one in the chair. The "Mogul Mowgli" director spent two years building out the Mahershala Ali vehicle before exiting in 2022, and he's now letting the air out on this one.

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‘The Family Stone’ Sequel Greenlit at Searchlight, Fall Shoot, Reunites the Entire Cast — Except Diane Keaton

Claire Danes, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider, and Brian White will all be back.

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Critics Are Fighting About ‘Fjord’ at TIFF; Sebastian Stan: “Not A MAGA Movie”

I was curious how Cristian Mungiu's "Fjord" would be received this fall. The Palme d'Or winner has become a culture-war flashpoint, and critics are more split on it than you might expect.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Bret Easton Ellis Claims ‘Moonlight' Is Overrated, ‘Green Book' is Underrated.

May 7, 2019 Jordan Ruimy

Of note: I’ll have more to say on this topic later in the day, I’m just constricted with time at the moment.

"Moonlight" is a technically better and more artfully impressive movie that "Green Book". However, I just think the final 20, or so, minutes of it are incredibly pretentious. The first two stories were perfect in every way, shape and form -- there was none of the preachy and didactic nature of the last third.

Brett Easton Ellis on “Green Book”": “What’s a movie I really liked that critics missed? It’s gonna be controversial but Green Book is one of those movies. Manohla Dargis said on Oscar night said, ‘Disgusting…how did this happen?’ Justin Chang at the L.A. Times had a breakdown too. And Wesley Morris wrote a brilliant piece about Green Book two days before voters went into the Academy that said ‘this is a movie you cannot support.’ [But] he didn’t convince them, which proved that people like the movie a lot more than critics did, and that critics used their ideology to describe the movie rather than just enjoy the very real pleasantries of the film, which were really about craft, writing, acting, production [values].

“One of the reasons why I know so many who really like that movie is that is one of the only cultural artifacts from last year that really was about hope. A sense of hope between the races. No matter how clumsy or corny you thought it was. Many people were moved by that notion, and a lot of critics rejected because they didn’t feel it was woke enough in the same way as Sorry To Bother You or BlacKkKlansman or Blindspotting. Which are actually very negative movies about bringing people together…bringing together black and white whereas Green Book, in its old fashioned way, said this a possibility, these men can exist, they can love each other. And as hokey as it might seem, a lot of people liked that message, and they wanted to see that.” — Brett Easton Ellis (“White“) in a recent Commonwealth Club chat with moderator Nellie Bowles, N.Y. Times tech and culture reporter.

On “Moonlight”: Asked for his general thoughts about Moonlight, Ellis says “it’s okay…I think it was over-rated. That’s all.” (HE: Yes!) Sensing the chilly reaction to this viewpoint, Ellis adds, “Oh, God…oh, gasp! I said Moonlight was over-rated! Oh, my God! That’s the problem. Saying that and getting that reaction…that self-seriousness about Moonlight is part of the problem. Because you can’t say anything [negative] about Moonlight. You have to love it! You have to love it. Many people don’t.”

In NEWS Tags Brett Easton Ellis, Moonlight, Trump
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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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