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Linus Sandgren to DP Shawn Levy's ‘Ghost Rider' on Film — Connor Storrie in Talks to Co-Star

Marvel's "Ghost Rider" just hired one of the best cinematographers working today. Linus Sandgren will serve as DP on Shawn Levy's MCU flick, and, most notably, the project will be shot on film.

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Jafar Panahi Sentenced to Five Years in Prison as Iran Orders His Assets Seized

It keeps getting worse for Jafar Panahi. The Palme d'Or-winning director of "It Was Just an Accident" has been sentenced by Branch 26 of the Tehran Revolutionary Court to five years in prison.

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‘The Birds’ Limited Series Starring Sarah Snook Lands at HBO

Hollywood remaking anything connected to Hitchcock has rarely produced memorable results. Yet the industry keeps trying, despite overwhelming evidence that it’s a fool’s errand.

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‘One of Them Days’ Filmmaker Lawrence Lamont to Direct Ice Cube-Penned ‘Last Friday’ Sequel

Lawrence Lamont, whose “One of Them Days” was one of the more pleasant low-key surprises of early 2025, has been tapped by New Line to direct “Last Friday,” the fourth instalment of the “Friday” franchise.

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‘Coyote vs. Acme' Ruled Eligible for Best Animated Feature Oscar — Crashes the Race Against ‘Wildwood’ and ‘Toy Story 5’

Should "Coyote vs. Acme" even be considered an animated film? The Academy requires animation to cover 75% of a film's runtime, and somehow this movie cleared that bar.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Bret Easton Ellis Claims ‘Moonlight' Is Overrated, ‘Green Book' is Underrated.

May 7, 2019 Jordan Ruimy

Of note: I’ll have more to say on this topic later in the day, I’m just constricted with time at the moment.

"Moonlight" is a technically better and more artfully impressive movie that "Green Book". However, I just think the final 20, or so, minutes of it are incredibly pretentious. The first two stories were perfect in every way, shape and form -- there was none of the preachy and didactic nature of the last third.

Brett Easton Ellis on “Green Book”": “What’s a movie I really liked that critics missed? It’s gonna be controversial but Green Book is one of those movies. Manohla Dargis said on Oscar night said, ‘Disgusting…how did this happen?’ Justin Chang at the L.A. Times had a breakdown too. And Wesley Morris wrote a brilliant piece about Green Book two days before voters went into the Academy that said ‘this is a movie you cannot support.’ [But] he didn’t convince them, which proved that people like the movie a lot more than critics did, and that critics used their ideology to describe the movie rather than just enjoy the very real pleasantries of the film, which were really about craft, writing, acting, production [values].

“One of the reasons why I know so many who really like that movie is that is one of the only cultural artifacts from last year that really was about hope. A sense of hope between the races. No matter how clumsy or corny you thought it was. Many people were moved by that notion, and a lot of critics rejected because they didn’t feel it was woke enough in the same way as Sorry To Bother You or BlacKkKlansman or Blindspotting. Which are actually very negative movies about bringing people together…bringing together black and white whereas Green Book, in its old fashioned way, said this a possibility, these men can exist, they can love each other. And as hokey as it might seem, a lot of people liked that message, and they wanted to see that.” — Brett Easton Ellis (“White“) in a recent Commonwealth Club chat with moderator Nellie Bowles, N.Y. Times tech and culture reporter.

On “Moonlight”: Asked for his general thoughts about Moonlight, Ellis says “it’s okay…I think it was over-rated. That’s all.” (HE: Yes!) Sensing the chilly reaction to this viewpoint, Ellis adds, “Oh, God…oh, gasp! I said Moonlight was over-rated! Oh, my God! That’s the problem. Saying that and getting that reaction…that self-seriousness about Moonlight is part of the problem. Because you can’t say anything [negative] about Moonlight. You have to love it! You have to love it. Many people don’t.”

In NEWS Tags Brett Easton Ellis, Moonlight, Trump
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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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