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‘Michael 2’ Will Explore Child Abuse Allegations From Michael Jackson’s “Point of View,” Jaafar Jackson Says

I don’t know about you, but I’m kind of looking forward to the “Michael” sequel. Whether Vantoine directs it or John Logan, it doesn’t matter—it’s an inevitable sh*tshow that will result from its making and release.

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Kathryn Bigelow’s ‘Strange Days’ Finally Getting 4K Physical Release

Kathryn Bigelow’s “Strange Days” has remained largely unavailable on physical media, with only an old DVD edition to its name, but Disney is finally set to release the film on 4K Blu-ray.

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Netflix Pushes Greg Kwedar’s ‘Saturn Return’ to 2027

Many thought this one might show up this awards season, especially given the recent pedigree of Kwedar and his writing partner Clint Bentley. The film wrapped production in October 2025.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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Charles Melton to Star in Destin Daniel Cretton’s ‘Naruto’ Live-Action Movie

Cretton, who is directing “Naruto,” also has a “Shang-Chi” sequel in development. After dropping out of “Avengers: Kang Dynasty,” he was hired to direct “Spider-Man: Brand New Day.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Director Alex Ross Perry Says ‘Avengers: Endgame' Deserves to Win Best Picture Oscar

May 4, 2019 Jordan Ruimy

American film director Alex Ross Perry loved “Avengers: Endgame” so damn much that he’s decided to write an op-ed about its deserving to win the Best Picture Oscar. His IndieWire writeup, a dangerous one in my opinion, is an attempt to, I presume, bridge the gap between the Indie world and Hollywood. It’s an uneasy marriage between two fairly different cinematic mindsets, which has the intention of legitimizing the MCU as irrevocable art.

Perry does have to mention at the very beginning of his op-ed that ‘Endgame,’ was produced by Disney, for whom he worked on the screenplay of “Christopher Robin” from 2015-2018. With all that said, he goes on to claim “I love Disney movies, Disney theme parks, and Disney clamshell VHS tapes. So unlike (apparently) a lot of people, I actively root for Disney’s success” OK, thanks for the warning, Alex. At least there’s the acknowledgement of his background and why he would even dare utter the words “Avengers” and “Best Picture” in the same sentence.

After that, Perry reveals that he would “like to see “Avengers: Endgame” win best picture at the 2020 Oscars.” Comparing it to an MCU-achievement award, similar to what the Academy did in honouring “The Lord of the Rings: Return of the King” in 2004, he claims that, if taken as a singular accomplishment, compromising its 22-film run, there can be no other winner but the MCU.

He doesn’t necessarily examine or bring a critical eye to the mix here — this is more about “nerd culture,” than anything else; or, as he pointedly states, “what was once “nerd” culture [being now known] as the sole remaining representation of anything resembling a monoculture.”

Perry is basically telling naysayers of the superhero genre that [my translation] “TOUGH, this is our moment now, the nerds have won, this is what and should be constituted as cinema for millions of Americans, learn to live with it, embrace it, because it’s here to stay.”

It feels almost like a therapeutic op-ed about a once nerdy, bullied kid, whose tastes in “nerd culture” are finally being acknowledged and warmed up to by the mainstream. He decides to quote Aisha Harris’ NYT essay in which she acknowledged “that it’s good that “nerds” have their day now. Things that people used to get made fun of for 20, 30 years ago now everyone loves and accepts that it’s cool.”

I won’t protest further at this point. I very much liked “Avengers: Endgame.” It was an above-average action picture that, somehow, managed to also feel brainy and consummately cinematic. Given the slim pickings thus far this year, in terms of high-quality studio fare, sure, ‘Endgame’ being at the Oscars is not a far-fetched prediction, but winning? I just don’t think there are enough people within the voting body to be inclined to warm up to a superhero movie, let alone ever watch it.

← Woody Allen's ‘Rainy Day In New York' Rumored to Premiere at Venice Film FestivalAnjelica Huston Defends Woody Allen and Roman Polanski In Raw, Outrageous, Interview →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

Read more →
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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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