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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Rise of Skywalker' is Truly a Nail-in-the-Coffin Moment For Disney and ‘Star Wars'

December 26, 2019 Jordan Ruimy

Oh, how the mighty have fallen. As “The Rise of Skywalker” puts the final nail in the coffin of Lucasfilm boss Kathleen Keneddy’s new Skywalker saga, we need to be reminded that the trilogy actually had a decent start with “The Force Awakens.”

For all the complaints that the first installment of the new trilogy was using the same blueprint as 1977’s “A New Hope,” it ended up being the most universally well-liked film of the three chapters. With an impressive 8.0 rating on IMDb, it paved the way for, what could have been, a potentially great trilogy. Of course, that greatness never occurred for many fans, as director Rian Johnson’s “The Last Jedi” shook things up, riling up many within the hardcore fanbase, to the point where a “course correction,” as Disney CEO Bob Iger liked to call it, had to be implemented for the final chapter, “The Rise of Skywalker.”

And so, because Disney decided to play it safe, and tried to return to the wholesome roots of Star Wars lore, we got a disastrous conclusion with ‘Rise of Skywalker.’ No risk was taken, the stakes felt worthless and the characters were as thin as cardboard. What happened? Well, you can blame Rian Johnson if you’d like, as he most probably will be the ultimate villain for the failure of the trilogy since what he did was a complete 180 to fans expectations. He tried to introduce the series to 21st-century way of thinking. Bad idea? Well, when you have to deal with millions of nostalgists, and that is what Star Wars fans are, always looking back at the past instead of the way forward, taking a 2019 approach on a 4-decade old franchise might not be the way to go. No wonder “The Last Jedi” made $300 million less domestically than “The Force Awakens.”

Of course, all of this is still left for interpretation, and history will make the decision for us, but what Johnson did, by taking a multitude amount of risks in “The Last Jedi,” was isolate fans in favor of critical acclaim. I liked the film, but the way Disney went about it in ‘Rise of Skywalker’ was even more of a tragedy. They decided to listen to the hardcore fanbase and try to course correct the path that Johnson gave them. They decided that taking the safe route, adhering to fan demand, was the right way to go. And maybe it was, but what it ended up doing was giving us a dud of a final installment, one that obliterated the more-than-decent path that the first two movies had paved for director JJ Abrams to run with. Disney had a lot to lose by making another ‘Last Jedi’. The billions they churned out to George Lucas to buy his beloved franchise could not be for nothing. The game plan they have, with a new trilogy surely coming our way and a slew of Disney+ spinoffs coming, they couldn’t afford to give Johnson the win — they had to defy him, all for the sake of adhering to the bottom line.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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