It’s been a busy day with press screenings for “The Rise of Skywalker” and “Cats,” but I will be writing a little something about “Saint Maud” later today.
At the top, it's John Malkovich's to lose. He is a lock for Martin McDonagh's "Wild Horse Nine.” This would be his first lead nod. A late-career Malkovich comeback in a McDonagh movie? I'm all for it.
I'm going to say what a lot of people think, and won't say out loud: I don't believe Tom Holland can be a movie star outside of Spider-Man. That's been my genuine hunch for a few years now.
Under Lin, the quality of Netflix's movies got worse. The Lin era was defined by mid-budget, algorithm-friendly fare and a wobbly relationship with the filmmakers who actually gave Netflix its prestige.
Ten years later, Jesse Eisenberg says the backlash behind his Lex Luthor, and the Razzie that came with it, changed the course of his career, and led him to directing.
This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.
It’s been a busy day with press screenings for “The Rise of Skywalker” and “Cats,” but I will be writing a little something about “Saint Maud” later today.
Quentin Tarantino doesn't usually put modern-day filmmakers on his level. That’s just how he is. David Fincher seems to be the one exception.