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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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David Fincher’s ‘The Further Mis-Adventures of Cliff Booth’ FINALLY Has A Trailer! [Updated]

Netflix has finally decided to stop teasing us with cryptic teasers and has given us an actual trailer for “The Further Mis-Adventures of Cliff Booth,” David Fincher's Quentin Tarantino-scripted 'Once Upon a Time... in Hollywood' sequel.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Rian Johnson: Catering to Fans, Instead of Challenging Them, Is a ‘Mistake’

December 17, 2019 Jordan Ruimy

Amidst the furious debate regarding “The Last Jedi” and Rian Johnson, people tend to forget that Johnson is actually a very talented director. After all, when you’ve already directed movies like “Looper,” “Brick” and “Knives Out” in your short but successful career, it doesn’t really matter whether “The Last Jedi” was good or bad.

For the last two years, Johnson has basically been on the receiving end of a backlash from “Star Wars” fans because of their passionate ire towards “The Last Jedi.” Johnson’s creative decisions pleased film critics, but hardcore Star Wars loyalists despised the fresh new direction Johnson took with the “Last Jedi.” There was no catering to fans and the director says it would have been a mistake to do the opposite and abide by fan theories and philosophies. Johnson expressed this opinion during a recent Radio.com interview on the “Swings & Mrs.” podcast [via IndieWire]:

I think approaching any creative process with [making fandoms happy] would be a mistake that would lead to probably the exact opposite result,” Johnson said. “Even my experience as a fan, you know if I’m coming into something, even if it’s something that I think I want, if I see exactly what I think I want on the screen, it’s like ‘oh, okay,’ it might make me smile and make me feel neutral about the thing and I won’t really think about it afterward, but that’s not really going to satisfy me.

John added,

I want to be shocked, I want to be surprised, I want to be thrown off-guard, I want to have things recontextualized, I want to be challenged as a fan when I sit down in the theater…What I’m aiming for every time I sit down in a theater is to have the experience [I had] with ‘Empire Strikes Back,’ something that’s emotionally resonant and feels like it connects up and makes sense and really gets to the heart of what this thing is and in a way that I never could have seen coming.

I have seen '“The Rise of the Skywalker” and I can tell you that the film fails because JJ Abrams does exactly what Johnson is against here — he appeases to the loyalists, basically telling them, “welcome back to regularly scheduled programming.” Abrams has listened to the fans and has course-corrected the trajectory of Johnson’s “Last Jedi.” Whether that will work on the viewer will entirely depend on the individual, but I can tell you that where Johnson joyously succeeded, Abrams fails.

Of course, we can’t really know what Johnson thinks of “The Rise of Skywalker” because he supposedly hasn’t seen the film yet, but he will surely chime in with an opinion in the days to come and I most definitely look forward to his take.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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