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‘Michael 2’ Will Explore Child Abuse Allegations From Michael Jackson’s “Point of View,” Jaafar Jackson Says

I don’t know about you, but I’m kind of looking forward to the “Michael” sequel. Whether Vantoine directs it or John Logan, it doesn’t matter—it’s an inevitable sh*tshow that will result from its making and release.

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Kathryn Bigelow’s ‘Strange Days’ Finally Getting 4K Physical Release

Kathryn Bigelow’s “Strange Days” has remained largely unavailable on physical media, with only an old DVD edition to its name, but Disney is finally set to release the film on 4K Blu-ray.

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Netflix Pushes Greg Kwedar’s ‘Saturn Return’ to 2027

Many thought this one might show up this awards season, especially given the recent pedigree of Kwedar and his writing partner Clint Bentley. The film wrapped production in October 2025.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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Charles Melton to Star in Destin Daniel Cretton’s ‘Naruto’ Live-Action Movie

Cretton, who is directing “Naruto,” also has a “Shang-Chi” sequel in development. After dropping out of “Avengers: Kang Dynasty,” he was hired to direct “Spider-Man: Brand New Day.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Box-Office: ‘Jumanji: The Next Level' Swings to the Top; ‘Richard Jewell' Bombs

December 15, 2019 Theo Fisher

Sony’s “Jumanji” sequel picked up where the first one left off two years ago as it opened to major success both domestically and internationally to top this weekend’s charts.

Raking in $60.1M over its first five days, $8M more than its predecessor, “Jumanji: The Next Level” will hope to push close to the astounding $404M domestic of the original. Overseas the film took a whopping $85.7M, which when added to last week’s total, leaves its international haul at just over $150M and its overall global tally at $212.6M.

Sliding down into the unfamiliar number two spot is Disney’s own juggernaut “Frozen 2”. Taking $19.5M domestically this week, the film’s domestic tally is now up to $366.5M. And with its international cume now at the nicely round $666M, Disney can add yet another $1B movie to their 2019 total. Unprecedented success no matter your view on their monopolization of the market.

In third this week, and still flying the flag for original cinema is Lionsgate’s “Knives Out”. Rian Johnson’s ‘Whodunnit’ brought in $9.25M, as its domestic total continues to slowly tick toward the $100M mark (currently $80M) though I fear next week’s major releases may hamper its chances of reaching that milestone. Internationally the film took a further $13.6M, leaving its running total at an impressive $162M.

In fourth, this week and falling well below expectations is Warner Bros and Clint Eastwood’s Oscar hopeful “Richard Jewell”. Despite receiving mostly positive reviews, Eastwood’s re-telling or wrongly vilified hero Richard Jewell (Paul Walter-Hauser) has gone down as the legendary film-maker’s worst-ever opening, managing a woeful $5M, and no doubt punching a hole in the films awards chances.

This week’s fifth-place film had very similar issues to “Richard Jewell”. Universal and Blumhouse’s “Black Christmas” re-make managed only $4.4M in its first weekend, making it Blumhouse’s second-worst wife release opener ever, after “Jem and the Holograms”. Internationally the film managed $3.1M, but a global tally sitting under $10M on opening weekend is not the type of figure either studios had in mind.

This weeks notable limited releases saw two more major Oscar hopefuls debut, in the shape of A24’s “Uncut Gems” and Lionsgate’s “Bombshell”. A24’s high paced drama, starring Adam Sandler and directed by the Safdie Brothers (“Good Time”) performed extremely well in just five theatres, taking a very healthy looking $525,498, a figure that bodes extremely well for the films drip-fed release into the wider markets. Lionsgate’s all star led Fox new drama also performed well taking $312,000 from only four venues. Lionsgate will hope the drawer of mega-stars Charlize Theron, Nicole Kidman, and Margot Robbie, coupled with the films awards attention will amount to box office receipts.

All will change next weekend as one of the years biggest films hits theatres, in the shape of Disney’s “Star Wars: The Rise Of Skywalker”. With 2017’s “The Last Jedi” dipping on 2015’s “The Force Awakens”, Disney will hope the marketing of this as the final chapter in the Skywalker saga will elevate its box office to new heights.

The film won’t be without some completion however as Universal’s much talked about musical adaptation “Cats” hits theatres a day after, an entirely different option for those not taken with Star Wars. And those not interested in a galaxy far far away also have Fox’s Will Smith and Tom Holland animated comedy “Spies in Disguise” to delve into as well.

1. Jumanji: The Next Level – $60.1M
2. Frozen II – $19.2M
3. Knives Out – $9.25M
4. Richard Jewell – $5M
5. Black Christmas – $4.4M
6. Ford v Ferrari – $4.1M
7. Queen & Slim – $3.6M
8. A Beautiful Day in the Neighborhood – $3.36M
9. Dark Waters – $2M
10. 21 Bridges – $1.2M

← Boston Society of Film Critics Go For ‘Little Women' ‘A Hidden Life' Bombing at the Box-Office →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

Read more →
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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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