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Sandra Hüller to Play Male Writer in Maria Schrader’s ‘Work and Structure’

Hüller, known for her roles in “Anatomy of a Fall,” and “The Zone of Interest,” will take on the role of Wolfgang Herrndorf, who began recording his experiences after receiving a terminal brain tumor diagnosis.

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‘The Runner,’ Starring Gal Gadot, Is One of 2026’s Worsty-Reviewed Films With a 9% on Rotten Tomatoes

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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The Russos Defend Shooting ‘Avengers: Doomsday’ Without a Finished Script: “We’re Improvisation-Based Directors”

Yes, ‘Doomsday’ was shot without a finalized script. It was being written as production rolled on. The screenplay was still under development on set, with daily rewrites and updates in progress.

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Paul Schrader’s ‘Three Guns at Dawn’ Is Now an AI Movie, Antoine Fuqua No Longer Involved

Schrader has been open to AI in filmmaking. He frequently posts AI-generated images of himself on Facebook and has admitted to using AI for script ideas. Did it come up with this new version of “Three Guns at Dawn”?

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Two Popes': Conservative-Minded Vatican Drama Features Oscar-Worthy Jonathan Pryce [Review]

November 25, 2019 Jordan Ruimy

[Review was originally posted on 9.8.19 at the Toronto International Film Festival]

In 2013, progressive Cardinal Bergoglio and soon-to-be Pope Francis (Jonathan Pryce) paid a visit to conservative Pope Benedict (Anthony Hopkins) so that he could tend his letter of resignation to him. Surrounded by controversy, Benedict shunned it off, saying it was bad timing for his cohort to exit at a time when he was being accused of turning a blind eye on inner corruption at the Vatican. What followed was a debate between two very different mindsets and their particular views on the best path forward for the Catholic Church in the 21st century.

Fernando Meirelles’ “The Two Popes” is a wise and intelligent examination of that meeting. It feels as timely as ever to release this movie due to the current set of debates regarding conservative vs progressive mindsets. Meirelles, who directed the modern gangster classic City of God, never lets Anthony McCarten’s wordy screenplay interfere with his stunning visual schema. However, I did wish for more conversation and less lazy reliance on a long flashback sequence, which recounts the story of Francis’ youth from hopeless romantic to the most progressively-minded high priest at the Vatican.

A Netflix produced movie, “The Two Popes” is a masterclass in acting delivered by two legendary stalwarts of the craft: Pryce and Hopkins. Hopkins, at 81 years of age, gives us a fully fleshed Benedict, a man overcome by regret and anger over his past mistakes and unwilling to come to terms with an ever-changing world. However, wait until you see Pryce. In an Oscar-worthy performance filled with humor, sadness and, ultimately redemption, the actor has never been this magnetic since starring in Terry Gilliam’s 1985 sci-fi classic “Brazil.”

Bergoglio didn’t even want the papacy but, then again, as someone tells him, “the best leaders in the world are the ones that don’t want the job.” In the end, as Francis and Benedict talk about The Beatles, soccer, women’s rights, homosexuality and infidelity, this wowser of a conversation keeps our attention drenched to the screen . By shooting the most subtle darts at each other, and ultimately coming to an understanding, Hopkins and Pryce make “The Two Popes” a movie filled with humanity and hope, a bumpy ride worth taking. [B-]

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

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