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Alex Gibney’s ‘Musk’ Flops at the Box Office With $290K Weekend, $614 Per-Screen Average

No official figure has been reported, but best guess is the budget landed somewhere in the $10M range. HBO pre-bought the streaming rights, but that was before David Ellison took over

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‘Michael’ Gets Standing Ovation at DGA Oscar Screening — Best Picture Nomination a Possibility?

This absolutely matters. That room was practically all Oscar voters. Fact remains, “Michael” was always going to contend for a best picture nomination, you just had to set your biases aside.

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Kevin Costner Isn't Giving Up on ‘Horizon’: “Ultimately We Are Going to Release Four Movies”

Back in May, a Warner Bros. source told me ‘Chapter 2’ wasn't coming out in 2026. It was “not in the plans.” The film has been finished for two years.

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Box-Office: ‘Whalefall' Bombs With $7M Opening on $60M Budget

Duffield's "Whalefall," the survival thriller about a diver swallowed by a sperm whale, is heading toward a roughly $7M-ish opening weekend, according to the most recent Saturday update.

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‘You Can See Everything' Headed For $15M Weekend, 2000+ Sellouts in Just 855 Theaters — The Five Best Moments. What Did You Think? Post Your Review!

So, those of you who went this weekend: what did you make of it? Where do you land on Holmes, and — most fascinatingly — on Billy Evans, her sniffling, controlling, weirdo husband?

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Two Popes': Conservative-Minded Vatican Drama Features Oscar-Worthy Jonathan Pryce [Review]

November 25, 2019 Jordan Ruimy

[Review was originally posted on 9.8.19 at the Toronto International Film Festival]

In 2013, progressive Cardinal Bergoglio and soon-to-be Pope Francis (Jonathan Pryce) paid a visit to conservative Pope Benedict (Anthony Hopkins) so that he could tend his letter of resignation to him. Surrounded by controversy, Benedict shunned it off, saying it was bad timing for his cohort to exit at a time when he was being accused of turning a blind eye on inner corruption at the Vatican. What followed was a debate between two very different mindsets and their particular views on the best path forward for the Catholic Church in the 21st century.

Fernando Meirelles’ “The Two Popes” is a wise and intelligent examination of that meeting. It feels as timely as ever to release this movie due to the current set of debates regarding conservative vs progressive mindsets. Meirelles, who directed the modern gangster classic City of God, never lets Anthony McCarten’s wordy screenplay interfere with his stunning visual schema. However, I did wish for more conversation and less lazy reliance on a long flashback sequence, which recounts the story of Francis’ youth from hopeless romantic to the most progressively-minded high priest at the Vatican.

A Netflix produced movie, “The Two Popes” is a masterclass in acting delivered by two legendary stalwarts of the craft: Pryce and Hopkins. Hopkins, at 81 years of age, gives us a fully fleshed Benedict, a man overcome by regret and anger over his past mistakes and unwilling to come to terms with an ever-changing world. However, wait until you see Pryce. In an Oscar-worthy performance filled with humor, sadness and, ultimately redemption, the actor has never been this magnetic since starring in Terry Gilliam’s 1985 sci-fi classic “Brazil.”

Bergoglio didn’t even want the papacy but, then again, as someone tells him, “the best leaders in the world are the ones that don’t want the job.” In the end, as Francis and Benedict talk about The Beatles, soccer, women’s rights, homosexuality and infidelity, this wowser of a conversation keeps our attention drenched to the screen . By shooting the most subtle darts at each other, and ultimately coming to an understanding, Hopkins and Pryce make “The Two Popes” a movie filled with humanity and hope, a bumpy ride worth taking. [B-]

In REVIEWS
← Kathleen Kennedy Met With George Lucas Before Writing ‘Rise Of Skywalker’: “We Took Down A Lot Of Notes”‘Knives Out': Rian Johnson's Expertly Crafted Whodunnit is Irresistibly Entertaining [Review] →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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