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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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‘1917’ First Reactions: Sam Mendes' WWI Movie Shakes Up the Best Picture Race

November 23, 2019 Jordan Ruimy

In a Hollywood that has all but shunned artistic freedom for directors this past decade, it must have been hard for Sam Mendes to find the right project to satisfy his creative juices. Alas, that’s why his upcoming WWI film “1917” (12.13.19) should be a cause for celebration. The film stars Mark Strong, Colin Firth, and Benedict Cumberbatch and will have the luxury of being shot by DP extraordinaire Roger Deakins.
“1917” is also the last of the four major Oscar contenders to have been screened this year. "Bombshell,” “Richard Jewell” and “Little Women” have all now been shown to press in the big cities. (I’m sorry, I just can’t count “Cats,” the trailer was ridiculed to no end and even went viral online for all the wrong reasons).

“1917” was finally shown this afternoon, for New York press, to a mostly positive reaction from critics. A source who caught a test-screening last month praised “1917” as a film filled with “stunning sequence after stunning sequence,” not to mention “surprises at every turn.” He added that it also, as was rumored, uses magic trick editing to make it look as though the film was shot in a single take by “hiding cuts through shadows, going up hills and outside blockades” a la “Birdman,” “Gravity” and “Rope.”

Because I haven’t seen “1917” yet I am not ready to weigh in on its Oscar chances, but, judging by these first tweet reactions, it will have many ardent fans who will push it for awards consideration. Whether it is a serious contender will also depend on how glowingly it will be reviewed by critics.

I’ll be catching '“1917” this coming Monday. Stay tuned.

1917 is quite a thing. Always intense, often horrific (at times it feels like watching an actual horror movie). I was skeptical of the “one continuous shot” aspect — worried it would get too cute with it — but it really works for this story, putting us right there in this hell

— Mike Ryan (@mikeryan) November 23, 2019

I don’t think I took one deep breath during #1917. Beyond gripping (and stressful). How did Sam Mendes pull this off???!!!

— Mara Reinstein (@MaraReinstein) November 24, 2019

#1917: is an outstanding piece of filmmaking and a technical marvel. Give Roger Deakins himself Best Picture like 10 times over, some of the work here is breathtaking. Symphonic, grand, bold and emotional with thrilling/harrowing turns and moments of deep humanity. #1917Movie pic.twitter.com/axapl0QFeb

— YrOnlyDaddy📽🎞📺 (@YrOnlyHope) November 23, 2019

Well, #1917Film definitely has the *most* cinematography. Emotional moments struggle against the one-continuous-take thing, which is a mistake, sometimes making the movie feel like a video game. But there’s a perfectly fine generic war movie there, trying to come out.

— Joshua Rothkopf (@joshrothkopf) November 24, 2019

Remember that war movie that came out a few years ago about the guy that held up a steel beam? I don’t remember anything about it. Beamy. Mr. Beam. Anyway he held up a beam. 1917 is like that except this time no beam.

— Jordan Hoffman, at his desk. (@jhoffman) November 24, 2019
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