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Matt Reeves’ ‘Bonfire of the Vanities’ Not Moving Forward at Apple, Seeks New Home

Reeves is supposed to direct, David E. Kelley is writing, and just like that, Apple got cold feet — the usual “creative differences” excuse is being cited in the report, and maybe that was indeed the case.

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Paul Thomas Anderson Reportedly Shadowed Martin Scorsese and Rewrote ‘What Happens at Night’

Having an insurance director is not uncommon in Hollywood. Aging filmmakers, in case a health issue arises, sometimes need to have one. It seems like that’s what might have occurred on “What Happens at Night.”

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LOL: Eli Roth Blames Lionsgate for ‘Borderlands’ Failure, Says Final Cut Was Not His

The box-office bomb cost $145M to produce and ended up finishing its run with a total of just $31M worldwide in receipts. The film was reportedly a $115M for Lionsgate.

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Jeremy Saulnier’s New A24 Thriller ‘October’ Reveals First Plot Details — Will It Release This Year?

A24 has been keeping quiet about the film, but I hear it was recently screened internally, and a decision should be coming shortly, if not by the end of this month.

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Jane Schoenbrun Says A24 Passed on ‘Teenage Sex and Death at Camp Miasma’: “I Want to Destroy” the Systems That Make Movies

Schoenbrun struggled to get ‘Camp Miasma’ made after A24 passed on the project. MUBI eventually came aboard, financing the film with a $10 million budget.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Joker' Tops Box-Office With Record-Setting $93.5M Opening

October 7, 2019 Theo Fisher

This week saw the release of one of the years most anticipated films. In the shape of the Todd Phillips directed and Joaquin Phoenix starring, “Joker” from Warner Bros. The origin story of the comic worlds most famous villain, bowed to an enormous $93.5M (a figure which could rise when actuals are released tomorrow) and thus lifted it above the 93.8M “Justice League” made during its bow in 2017. Not only did the Venice golden lion winning film have the highest opening in October history (after last years Venom), but it also goes down as the fourth-highest total for an R rated film.

Internationally, the film has had a tremendous start, taking over $140M internationally, building its overall worldwide gross to $240M.

It seems audiences have not gotten wrapped up in both the media discussions on the slightly polarising reviews of the film and have turned out in droves to see the latest take on the clown prince of Gotham.

In second this week, and in its own second week is Universals family animation “Abominable.” The snowy adventure conjured up a solid $12M over the weekend to sit at $37.8M after its ten-day life so far. Meanwhile overseas, the film opened in China to the sound of $11.2M, giving its international total a boost to around $24M for the weekend and $75M overall.

In a solid third this week is “Downton Abbey”. In its third week, it garnered around $8M domestic, boosting its tally to $74M, whilst its overall box office standing sits at $135M worldwide.

In fourth and impressive yet again, is Oscar hopeful “Hustlers.” Having been motoring along nicely, the film should break the $100M domestic barrier in the next two weeks after this week’s tally of $6.3M took its total to around $91M.

Again rounding out the top five is Warner Bros “IT: Chapter Two.” Although taking just the $5.35M at the domestic box office, the film did become only the third R rated film ever to move past the $200m mark.

Another impressive feat from this week was Roadside’s Renee Zellweger led “Judy,” as their expansion to over 1000 locations, brought about another $4.4M as it continues to expand.

Meanwhile, in a limited release there was both good and bad news. Spanish Oscar hopeful “Pain and Glory” starring Antonio Banderas, took over $150K from just four locations, whilst the much-maligned Natalie Portman led space movie “Lucy in the Sky” opened in 37 locations to a very disappointing $55K.

Whilst it will be interesting to see how ‘Joker’ pushes on in week two, it will also face competition from the likes of UAR’s animated “The Addams Family” and possibly more pressingly Ang Lee’s will Smith starring action thriller “Gemini Man.”

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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