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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Box-Office: ‘Joker' has Record-Setting Second Weekend; Close to $200M Made Domestically

October 14, 2019 Theo Fisher

Warner Bros’ much talked about ‘Joker’ continued to laugh off competition as it stayed firm at number one atop this weekends box office.

In fact, its $55M second weekend, is the largest October has ever seen, beating out Alfonso Cuaron’s Oscar-winning ‘Gravity’ and its $43.2M haul in 2013. The world’s most talked-about movie at the moment also drew in around $123.7M internationally, pushing it near $550M worldwide after 12 days, and now possibly with its sights set on Ryan Reynolds’ ‘Deadpool’ and its global R-rated record of $783M.

The first of this weekend’s three newcomers that have fallen victim to the juggernaut that is ‘Joker’ is UAR’s animated take on classic comedy, ‘The Addams Family’. Boasting a stellar voice cast including Charlize Theron and Oscar Isaac, the film scored a solid $30M over its first three days, not bad considering not only ‘Joker’ and its dominance, but also that this film is designed to be around for a number of weeks in the lead up to Halloween.

In third place and undoubtedly the biggest loser of the week (and arguably one of the biggest of the year) is Paramount’s ‘Gemini Man’. The Will Smith starring action-thriller managed a measly $20.5M since it’s Friday release, coupled with an international tally of $39M, which, for a film with a reported $138M budget, represents a huge defeat for the studio.

In fourth this week is another animated feature, this time from Universal, as ‘Abominable’ (in its third weekend) brought home just over $6M, bringing its domestic standing to just shy of $50M. Meanwhile, overseas the film brought in another $15M, meaning all in all the movie now stands at $108M worldwide.

In fifth place is ever steady player ‘Downton Abbey’, adding $4.9M to its domestic total (now at $82M) and $4.1M overseas ($70M overall) bringing it’s international total to $152.7M.

Unable to break the top five was Lionsgate’s R-rated, Adam Devine starring comedy, ‘Jexi’, making its bow to only $3.1M from over 2000 locations.

One of the biggest stories of the weekend came in the form of a limited release. Bong-Joon Ho’s (Snowpiercer) Oscar hopeful and critically acclaimed ‘Parasite’, debuted in just three locations across New York and LA, to the tune of over $376,000.

Next week sees the release of two movies that will hope to break the top three and siphon off a piece of ‘Joker’s box office. Firstly, Disney return after a mini hiatus with a sequel, ‘Maleficent: Mistress of Evil,’ whilst Sony also have a sequel of their own, ‘Zombieland: Double Tap,’ some ten years after the original hit screens.

Meanwhile, next week should also be interesting in the way of limited releases, as two more Oscar contenders, Taika Waititi and Fox Searchlight’s anti-hate satire ‘Jojo Rabbit’ and A24’s fantasy horror ‘The Lighthouse’ starring Robert Pattinson and Willem Dafoe.

1. Joker – $55M ($193M Total)
2. The Addams Family – $30M
3. Gemini Man – $20M
4. Abominable – $6.2M ($48M)
5. Downton Abbey – $4.9M ($83M)
6. Hustlers – $3.9M ($98M)
7. Judy – $3.3M ($15M)
8. It: Chapter Two – $3.2M ($207M)
9. Jexi – $3.1M
10. Ad Astra – $2M ($47M)

← ‘El Camino: A Breaking Bad Movie' is a Righteous Send-Off for Jesse Pinkman [Review]Martin Scorsese Doubles Down On Marvel: “We Shouldn’t Be Invaded By Those Movies” →

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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