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‘Practical Magic 2’ Is Tanking With Critics — 32% on Rotten Tomatoes ators

No surprise, “Practical Magic 2” is not doing well with critics. We all saw it coming. The first was also hammered with bad reviews. The only reason we’re getting a sequel is due to its cult base and ‘90s nostalgia.

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M. Night Shyamalan’s ‘Remain’ Teaser: Jake Gyllenhaal Stars in Hitchcockian Romance

A two-minute teaser has been released, and it looks intriguing and beautiful; Shyamalan is working with a new DP on this one, Adolpho Veloso—who shot the acclaimed “Train Dreams.”

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‘Artificial’ Releases Trailer, Sets Christmas 2026 Theatrical release

Here’s the teaser for Luca Guadagnino’s “Artificial,” which Neon has officially dated for a December 25, 2026 release. I’ve also posted some first look images below.

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Confirmed: Stephen Graham Joins Michael Mann’s ‘Heat 2’ as Young Neil McCauley

According to Variety, Graham is confirmed to have joined the cast of “Heat 2,” joining the already-announced Leonardo DiCaprio, Christian Bale, Adam Driver, Jason Clarke and Odessa Young.

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‘Brand New Day’ Has Sold 75 Million Tickets. ‘Titanic’ Sold 137 Million, and ‘The Force Awakens’ 108 Million

Due to inflation, raw box-office dollars no longer tell us nearly as much about how many people actually saw a movie. ‘Brand New Day’ might soon be the all-time box office champ, but an asterix is needed.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Sundance Tries to Break Tide With ‘Mostly White Male' Critics, Says 63% of the press this year is from underrepresented groups; But is Positive discrimination still discrimination?

January 24, 2019 Jordan Ruimy
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I attended this afternoon's Sundance Film Festival press conference, with Robert Redford coming out to briefly introduce the bigwigs of the festival. He seemed rather unexcited and I felt like he just wanted to say his speech and quickly get offstage. However, his presence, as always, was magisterial, a walking legend, now in his mid 80s, but still looking mighty fine.

However, it was exec director Keri Putnam, before introducing the panel, that shook the tide up a bit, to say the least, by saying that organizers had noticed “a disturbing blind spot” in the festival's history of giving out press credentials: “Diversity isn’t about who is making the films,” Putnam said. “It’s about how they enter the world.” She said, adding that they were admitting “mostly white male critics.” Which, consequentially influenced the kind of films that were being championed by these 'mostly white male critics'.

“This lack of inclusion has real-world implications,” Putnam remarked. “So we decided to do something about it.” She said that organizers re-shaped the credential process as a result. “63% of the press is from underrepresented groups this year,” Putnam said.

This is how I see it. People who have different life experiences to you will see art in a different way from you. Black people will see Black Panther differently from you. Asian people will see Crazy Rich Asians differently from you. Gay people will see Bohemian Rhapsody differently from you. However, a shit movie is still a shit movie. A good movie is a good movie is a good movie.

It's well-intention-ed on the part of Sundance to do something like this and I have seen and met today plenty of new film critics walking down Main Street excited to have finally been accredited by the festival, but denying a qualified white man his press pass to cover the festival just because he is who he is, thanks to his mom and dad, is a major disservice to the very important task of importing race and gender quotas.

Racism and sexism aren't going away if we keep drawing lines between our races and genders. Racism and sexism go away when nobody cares about each other's race and gender and we just treat each other equally.

Tags Gender Bias, Politics, Sundance
← Patty Jenkins Criticizes the Academy as ‘Very Limited’ After Women Directors Snubbed‘Breaking Bad' Movie Reported Cast List Includes Bryan Cranston, Jesse Plemons, Aaron Paul and Jonathan Banks →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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