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May el-Toukhy’s ‘Woman Unknown’ Wins the Golden Lion at Venice — Surprise!

The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.

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Cory Finley's 'Reasonable People,' Starring Paul Rudd and Sam Rockwell, Shoots This Fall

Cory Finley, a talented filmmaker, has directed three films so far: "Thoroughbreds" (2017), "Bad Education” (2020), and "Landscape with Invisible Hand.”

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Bassam Tariq Says Making ‘Blade' at Marvel Was ‘“a Different Thing”: “Somebody Else Is Running This”

Bassim Tariq was the first one in the chair. The "Mogul Mowgli" director spent two years building out the Mahershala Ali vehicle before exiting in 2022, and he's now letting the air out on this one.

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‘The Family Stone’ Sequel Greenlit at Searchlight, Fall Shoot, Reunites the Entire Cast — Except Diane Keaton

Claire Danes, Rachel McAdams, Dermot Mulroney, Craig T. Nelson, Sarah Jessica Parker, Luke Wilson, Tyrone Giordano, Elizabeth Reaser, Paul Schneider, and Brian White will all be back.

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Critics Are Fighting About ‘Fjord’ at TIFF; Sebastian Stan: “Not A MAGA Movie”

I was curious how Cristian Mungiu's "Fjord" would be received this fall. The Palme d'Or winner has become a culture-war flashpoint, and critics are more split on it than you might expect.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Sundance Tries to Break Tide With ‘Mostly White Male' Critics, Says 63% of the press this year is from underrepresented groups; But is Positive discrimination still discrimination?

January 24, 2019 Jordan Ruimy
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I attended this afternoon's Sundance Film Festival press conference, with Robert Redford coming out to briefly introduce the bigwigs of the festival. He seemed rather unexcited and I felt like he just wanted to say his speech and quickly get offstage. However, his presence, as always, was magisterial, a walking legend, now in his mid 80s, but still looking mighty fine.

However, it was exec director Keri Putnam, before introducing the panel, that shook the tide up a bit, to say the least, by saying that organizers had noticed “a disturbing blind spot” in the festival's history of giving out press credentials: “Diversity isn’t about who is making the films,” Putnam said. “It’s about how they enter the world.” She said, adding that they were admitting “mostly white male critics.” Which, consequentially influenced the kind of films that were being championed by these 'mostly white male critics'.

“This lack of inclusion has real-world implications,” Putnam remarked. “So we decided to do something about it.” She said that organizers re-shaped the credential process as a result. “63% of the press is from underrepresented groups this year,” Putnam said.

This is how I see it. People who have different life experiences to you will see art in a different way from you. Black people will see Black Panther differently from you. Asian people will see Crazy Rich Asians differently from you. Gay people will see Bohemian Rhapsody differently from you. However, a shit movie is still a shit movie. A good movie is a good movie is a good movie.

It's well-intention-ed on the part of Sundance to do something like this and I have seen and met today plenty of new film critics walking down Main Street excited to have finally been accredited by the festival, but denying a qualified white man his press pass to cover the festival just because he is who he is, thanks to his mom and dad, is a major disservice to the very important task of importing race and gender quotas.

Racism and sexism aren't going away if we keep drawing lines between our races and genders. Racism and sexism go away when nobody cares about each other's race and gender and we just treat each other equally.

Tags Gender Bias, Politics, Sundance
← Patty Jenkins Criticizes the Academy as ‘Very Limited’ After Women Directors Snubbed‘Breaking Bad' Movie Reported Cast List Includes Bryan Cranston, Jesse Plemons, Aaron Paul and Jonathan Banks →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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