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Joel Coen’s ‘Jack of Spades’ Is a Gothic Mystery Based on a 1901 Novel, With Patsy Ferran “Dynamite” in the Lead

I can confirm that Joel Coen’s “Jack of Spades” is based on Frances Frederica Montrésor’s 1901 novel “The Alien: A Story of Middle Age.” It’s a ghost story. A gothic mystery.

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Kendrick Lamar & ‘South Park’ Creators’ ‘Whitney Springs’ Budget Almost Hits $150M, Still Unfinished

Stone and Parker’s “Whitney Springs” still isn’t finished. The budget has skyrocketed to over $100M. Stone and Parker have taken full responsibility for the delay.

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Michael Mann Has “Secretly Recut” ‘Miami Vice’ for a New “Director’s Final Cut” to Premiere in October

I’m not sure how this is going to turn out, but Michael Mann “secretly recut” his ‘Miami Vice’ movie, which has now led to the 4k restoration, a “Director’s Fina Cut,” to world premiere on October 3.

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Paul Feig to Direct ‘The Italian Job’ Sequel for Paramount

Wait, what? According to Deadline, Paul Feig is going to direct an “Italian Job” sequel for Paramount. No word yet on cast returns. A writer is supposed to be hired soon for the script.

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‘Digger’ Final Trailer Teases Iñárritu’s Apocalyptic Satire With Tom Cruise

We’re just 24 days away from its release, yet there doesn’t seem to be much excitement building around this film. The marketing has not worked.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

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Patty Jenkins Criticizes the Academy as ‘Very Limited’ After Women Directors Snubbed

January 24, 2019 Jordan Ruimy
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We all knew it was going to happen. The Best director race this year was not going to be female-centric. Yes, Chloé Zhao’s “The Rider,” Debra Granik’s “Leave No Trace,”  Lynne Ramsay’s “You Were Never Really Here,” Marielle Heller’s “Can You Ever Forgive Me?” and Tamara Jenkins’ “Private Life,” were noteworthy female-directed films, to name just a few, but they all got snubbed.

“Wonder Woman” director Patty Jenkins, told Vulture that the Academy is “still very, very limited.”

“I have no idea,” Jenkins said of the shutout, “I’ll tell you this: The Academy is working on this, but the real issue to me is that at the end of the day, no matter what movie you make and no matter how much money it makes, and no matter how diverse the audience is, the voting academy is still very, very limited. Still.”

“As hard as the Academy is working on it, the vast majority of voters, particularly for director, are people who have been successful as directors,” she said. “So who is that? That’s where this pool [of nominees] is coming from. All of these votes are being made by the same people.”

Patty, I don’t think it’s a question of the voters as much as a lack of female filmmakers when compared to male, which dominate the industry.

I wrote this a few days ago:

“Here's an undisputed fact: The studio and independent system is white-male dominated, all of this hoopla that a bunch of black and female filmmakers deserve their fair share of 2018 awards is quite simply overreaching and a form of virtue signaling on the part of film critics. The odds are heavily stacked for white male directors making the best films of the year. Rome wasn't built in a day. “

Tags Directors, Patty Jenkins, #OscarsSoMale, Oscars
← ‘Red Sonja' Producer Defends Bryan Singer And Calls Allegations “Agenda Driven Fake News"Sundance Tries to Break Tide With ‘Mostly White Male' Critics, Says 63% of the press this year is from underrepresented groups; But is Positive discrimination still discrimination? →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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