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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Oscar Watch: Is it ‘Roma’ vs BlackKklansman?

January 16, 2019 Jordan Ruimy
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Back to the Oscar race, with "Roma" having won big at the critics choice awards last night and with its lack of any sort of controversy this year, its momentum is now firmly confirmed. Is there any reason why this film can't the Best Picture prize at the Oscars? Despite my theory that it's just too artsy for a large and vast voting body whose tastes, quite frankly, tend to not veer towards the high-brow, there is a sense that a lot of people will be voting for "Roma" on a purely partisan basis. Accepting the award last night, its director Alfonso Cuaron said in his speech, "this bunch of Mexicans are not as bad as sometimes they are portrayed," clearly taking aim at the Trump administration and its militant stance at getting that border wall funding to prevent Mexicans from entering the country illegally. 

What better middle finger to Trump than to reward an all-Mexican film the Oscar, probably the most overt political statement one can make this awards season with any movie, safe for, maybe, Spike Lee's "BlackKklansman" which ends with a scathing, 3-minute indictment of the Trump administration and has the veteran filmmaker, quite explicitly, telling his audience we have a neo-Nazi, sympathizing president in the White House. So is it BlackKklansman vs Roma? Is that the conversations the AMPAS voting body wants to have this Oscar season? I don't see why not.

The Critics Choice voting body gave "Roma" four awards last night — Best Picture, Best Director, Best Cinematography and Best Foreign Film. Whereas, "A Star is Born" has had its momentum killed the last few weeks with the globes and now this almost complete shutdown at the critics choice awards. Vice‘s Christian Bale won for Best Actor while Glenn Close (The Wife) and Lady Gaga (A Star Is Born) tied for Best Actress. Mahershala Ali (Green Book) and Regina King (If Beale Street Could Talk) won the supporting categories. All seem to be the frontrunners for their respective Oscar categories. But if I had originally predicted late last year that the Best Picture prize would most likely be a showdown between "A Star is Born" and "Green Book," the zeitgeist seems to be hinting a whole other set of contenders, especially with the shunning of "Green Book" by the "wokers" and momentum currently sliding, with people possibly coming to their senses, for Bradley Cooper's Gaga musical. 

Mark your calendars for Saturday January 19th, that’s when the Producers Guild of America — the most important of precursors for the Best Picture prize — will reveal their winner. Oscar nominations will be announced a few days later on the 22nd. By then, we'll know exactly what to expect come Oscar night with the front-runner almost all but revealed. The PGA and the Academy voted in sync last year with "The Shape of Water" winning both organizations top prize, but there was a rare two-consecutive-year split before that when the PGA went for "The Big Short"/"La La Land," and the Academy went for "Moonlight"/"Spotlight."

In NEWS Tags Oscars, Roma, Blackkklansman
← Steven Spielberg’s West Side Story Remake Casts Its Leads Guillermo del Toro Writes About The Brilliant Simplicities of ‘Roma’ →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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